avclub-d82604de52c7a4c0d104443d90790b81--disqus
beermuscles
avclub-d82604de52c7a4c0d104443d90790b81--disqus

Big Joke
I think this series is getting progressively funnier. I laughed when Nikki was explaining the religious reasons for the wives having more babies and Margene said, "I thought we could have a serious conversation about this." It seems increasingly so that the characters are acknowledging that their Mormonism

5/27ths

Presumably, whatever makes a donkey mad.

Uh oh. Did I miss something?

So you've never heard of this film before (you think) but you have it at home? This could only occur in a world ruled by firstie-logic!

I think the class of '97 is the clear winner. Add one more to the tally.

You can *drink* coke now? Hooray for the dawning of a new America!

I would've double-bagged it.

My dad worked with Joe Frazier at a moving company in Philadelphia called "Two Guys."

Liza Minnelli?

I, for one, still cannot believe the levels.

I might get some debate about this but I think "What's the Frequency, Kenneth?" is the best opening song on any R.E.M. album, and that's my comment about BRINGING OUT THE DEAD.

I second mbs on Nicky Katt reprising his turn as Hitler in FULL FRONTAL. That alone made the movie worth watching.

Paul Rudd, particularly in that cafeteria scene when he's acting like a 5-year-old, also deserves a mention.

I assume something from RUSHMORE will be included in Friday's list of "17 Songs that unfortunately never provided the soundtrack to Sundance."

"The Swimming Song" is the one in the trailer (as well as during the end credits) and perhaps for that reason is the one I most associate with THE SQUID AND THE WHALE. It's so simple. But it's a hell of a song.