avclub-d44516e88a548ff1b4d73b7f9ee80a0a--disqus
lookatthisguy
avclub-d44516e88a548ff1b4d73b7f9ee80a0a--disqus

"Listen!: you smell something?"

[leans over on stool, plays sour chords on guitar, and chortles unnecessarily]

Yes, I would be curious to see Goldblum and Silverman boning.  No, I have no idea why.

I only wish I could disagree with you.

I'd actually contend the *only* reasonable discussions will occur here.

I think you bring an angle to the movie that I'd never considered.  I have friends—well, acquaintances that I used to talk to more—that turned me on to the movie because I reminded them of Tom or vice versa.  And to an extent, I did used to be a lot like him, so I appreciated the humor on the surface, but the rest of

Fucking Mark Twain.

What's your beef?  You're the first person I've ever heard that disliked it, though I do tend to roll in small circles.

Wha—is that her name?

I guess I'll be Netflixing later tonight, and presumably regretting that action 48 minutes later?

I'm curious which episode you're referring to, because it does not sound familiar at all.

Faust

We share the sentiment, though I word mine differently.

Escher-Sketch

[nods, sips coffee]

There's a fine line there.

I seem to remember from the liner notes—I bought it for an ex, it was a fucked up thing, we're broken up now obviously, don't judge—that it was Ellen Page that suggested their music for the movie.  So (1) I concur, just like when I saw The Most Beautiful Girl In The World and died inside when she turned around and her

OH LOOK SOEMBODY WENT 2 COLLAGE