The first thing I thought of when Don and Meredith were walking through that office was that it was a Bizarro Sterling-Cooper.

You know there's a problem when SC&P seems to be a model of equality.

Mad Men deliberately doesn't link its characters to contemporary events eg: the Manson killings, but it will associate them with 400-year old blood feuds for the purposes of a right hook.

This was brilliant.

Psych started when I was 13, so needless to say, I'm going to miss this show like crazy.

And that the rest of the crew are pots calling the kettle black when it comes to dancing?

My siblings and I took turns playing Unreal Tournament, Return to Castle Wolfenstein, Vice City, LA Noire, and Arkham City. I think it helps to have a lot of battle sequences or action-y bits when people are spectating, although LA Noire is probably an exception to this.

@avclub-183f50a7700982a3ed18ff6d7a5777bf:disqus I feel like Don's "whatever you want" replies aren't conducive for a healthy relationship with Megan. He tells her that he'll do whatever she wants without actually knowing what she wants, which keeps him emotionally disconnected to the point of being uninterested until…

Someone correct me if I'm misremembering, but I think the last time the show used that caper-y score was in season 4 when Don staged a commercial shoot for the Honda scooter to goad Ted Chaough into breaking the rules that the Honda businessmen had set for their pitches. The Heinz presentations are essentially…

People would like them more if they'd STOP DROPPING NAPALM ON CHILDREN.

Of course Varys would be re-incarnated as a lawyer.

I think Mike's still in the downward spiral—victory against Hardman notwithstanding. It's pretty low of him to sleep with a married woman (and even Harvey doesn't do that).

I think Mike's still in the downward spiral—victory against Hardman notwithstanding. It's pretty low of him to sleep with a married woman (and even Harvey doesn't do that).

@avclub-797134c3e42371bb4979a462eb2f042a:disqus I think Ginsberg straight-up has the ability to perceive the prevailing cultural milieu and reflect it in a way that is intriguing or titillating, all without any malice toward women on his part. In "Mystery Date," he was the only one who was genuinely horrified Joyce's…

@avclub-797134c3e42371bb4979a462eb2f042a:disqus I think Ginsberg straight-up has the ability to perceive the prevailing cultural milieu and reflect it in a way that is intriguing or titillating, all without any malice toward women on his part. In "Mystery Date," he was the only one who was genuinely horrified Joyce's…

"Best thing about this season is the writers setting up seemingly implausible storylines with great introductory scenes per episode."

"Best thing about this season is the writers setting up seemingly implausible storylines with great introductory scenes per episode."

TVDW already covered this, but props again to Neil Marshall for not only doing a fantastic job of directing such a difficult episode in terms of content and expectations in the dark, but also making the scenes that were relatively well-lit just as memorable: the still of a lone Bronn nocking a lit arrow and the…

TVDW already covered this, but props again to Neil Marshall for not only doing a fantastic job of directing such a difficult episode in terms of content and expectations in the dark, but also making the scenes that were relatively well-lit just as memorable: the still of a lone Bronn nocking a lit arrow and the…

Lots of fun dialogue in this episode.