It is,
without doubt, "A Day In the Life".

GREAT G2G!
And I'd like to send a shout out to Tod Browning's London After Midnight, yo.

I can't goddamn fucking believe
That MacBeth2112 and I are the *only* people to have yet mentioned The Last Waltz on here.

How, *how* could you forget about the Afterworld?

Actually, Bros (think "Life's a Heartbeat")>bros>evvah fuckin' thang else!

God damn! You motherfuckers can't seriously be thinkin' 'bout leavin' off The Last Waltz, right?

The Perfect Burger: Four minutes on each side (only flip once, and *no* pressing) in a cast iron pan over a medium high flame; slather the bottom bun with mayo, then pepper that liberally with freshly cracked, uh, pepper (the juices from the burger will combine with this to make something truly heavenly); dress with…

Venturing out on a limb.
I'm just going to go ahead and say that, sight unseen, I'm predicting that this film will be nowhere near as intelligent, gripping, or entertaining as Brad Bird's The Incredibles. (Mind you, I fucking *adore* the graphic novel.)

Stroszekian, I tend to agree with both you and Elitist Trash on on the subject of shitty movies not being likely to devalue the source material. Except in one instance: Star Wars. Now, I know, I *know* that it's not exactly the same thing. Star Wars, in all its incarnations, has always been a movie first, and the…

I'll second "The Devil Went Down To Georgia", and also sing the praises of "Uneasy Rider" and "Drinking My Baby Goodbye".

In addition to the aforementioned artists, I wouldn't mind too terribly if you'd delve a bit into the careers of the Statler Brothers, the Oak Ridge Boys, Barbara Mandrell, Charley Pride, Tom T. Hall, and the Country Gentlemen (especially the lineup featuring Charlie Waller).

@"Mammygram":

@Schiels, Re: Forgetting Sarah Marshall—

If it were up to me
No one would graduate high school without first having read Daniel Radosh's Rapture Ready.

As far as the Kurosawa love goes, I'm surprised no one has yet mentioned The Quiet Duel. Quite underrated, if you ask me.

AJR—sorry for the pseudo cheap shot in that last paragraph. That was pretty douche-tastic of me, and was just a defense mechanism I employed because I'm kinda embarrassed by how fucking vocal I used to be when I would defend his playing to all the naysayers. And the reason I'm embarrassed? Well, I hadn't seen any…

Sounds like Towlie needs to go bite his pillow.

'Course, let's not forget that they did a cover of fucking "Tuesday's Gone". Which featured guest musicians who are actually quite skilled at playing their chosen instruments (Les Claypool, John Popper). And it still makes me cackle when they get to the second verse, James quits singing, and someone (COC's Pepper…

@AJR-Lars can drum "like a motherfucker"? I think not. Sure, he's fairly fast on the double kick, but there are faster (Joey Jordison, to name but one). In my youth I, too, placed Lars on a drumming pedestal, and fuck anyone who disagreed. Oh, how stupid I must have sounded back then, and, thank god, I've wised up…

Oh, forgot to mention: during the meal I'd be repeatedly fellated by Constance Zimmer (and I'd get to nibble on her luscious gams, as well).