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WI_Dilettante
avclub-d035fdf8b4a9e8b98b9d51e116b49b02--disqus

Me, too; Foster has a lovely voice. I grinned stupidly when It clicked for me where I'd seen her before: in the exceptional 2013 London revival of Sondheim's "Merrily We Roll Along." It would be a grave disappointment if we don't hear at least a few tunes from her before the season ends.

The female vocalist is Rhiannon Giddens, lead singer of Carolina Chocolate Drops. Giddens also has another Dylan connection, as part of the New Basement Tapes. And I guess I'm in the minority here, but I really liked their cover.

Exactly! And if Amy can make it back from Tufts, why can't anyone at least mention Haddie's name? She's at an Ivy League school, for cryin' out loud. You don't think that wouldn't have garnered some media attention after Max's Asperger's became a campaign issue? Seriously, Haddie was a central character, not one of

I've never been a Kalinda/Cary-shipper, but outside of the smokin' hot chemistry between Archie Panjabi and Kelli Giddish (cut far too short, alas, by Dick Wolf poaching Giddish for L&O:SVU), Czuchry's been a better match, male or female, than anyone else the Kings have come up with for L&G's Sexy Boots of Justice, so

From a theatre geek standpoint, the one moment that could have made the episode was Anjelica Huston singing "September Song," the Kurt Weill classic introduced on Broadway by her grandfather, the great character actor Walter Huston. 
I say could have because even that small meta-joy was obliterated by the