avclub-cfc0f51c3e5d754e57558f4d79ca1637--disqus
Licky_Kicky
avclub-cfc0f51c3e5d754e57558f4d79ca1637--disqus

My favourite ever scene from ''Borgen' involves him.

Great innit. He's worked a lot with Tobias Lindholm, the Borgen co-writer. Check out 'R' the prison drama they did, sadly neglected because of plot similarities to 'A Prophet'.

By the sound of 'Pressa' I'm suprised BBC4 haven't picked it up already. Thanks for heads-up though.

Fantastic, addictive television. I met Pilou Asbaek who plays Kasper the other day and he was a top bloke.

English Superman flies around the world really fast.

'Kill List': starts off murky domestic drama, then unsettling crime film, then whatever the fuck that was at the end. It takes you on a real nightmarish journey and I felt shaken afterwards.

They haven't ruled him out, I heard on the radio the other day.

Yup, I thought it was like watching some lavishly-budgeted fan-fiction.

Or Martin going 'Waaas?' in comical disbelief.

Highly recommend the original Danish version of this.

I preferred the last one, if just for the pre-title sequence. When Spock did *that* agonised cry in Into Darkness I laughed.

I listened to that track this weekend and started crying like a big softie.

I went to see Maxim Gorky's 'Children of the Sun' at the National Theatre in that London - it was like Chekov with 'splosions. Also saw' Epic' which I can't even muster an opinion on.

Warner's finest moment in a career of fine moments.

'Bride of Frankenstein' knocked me out - so outrageouslly camp but scary too. It just seemed so modern.'

"I will teach you the meaning of the word respect."

Duck Soup, Time After Time, Superman.

@avclub-6b8c168290ec0dee53f7b27cfc3ad06c:disqus The actors have said in interviews that they're supposed to be Brummies  (I googled to check) and Brummie accents were used to signify a certain slovenly naffness BITD eg those Prudential Ads with Mark Williams and Tim Spall in Auf Widersehen Pet. As a 'thick Geordie' I

Joss Whedon's 'Much Ado About Nothing' is excellent I'm delighted to  report.

As a British person, who loved Wheatley's previous two films, I'd like to agree with you but I found it a real trawl, not funny, not really disturbing, athough Oram does some great work. The 'Nuts in May'-go-serious-killers conceit has potential but they don't really go anywhere with it. I thought the use of Brummie