Is it just me, but don't the graphics for Skyward Sword seem softer than that of Twilight Princess (i.e. not as well-defined)? It's like if Wind Waker and Twilight Princess had a baby.

I actually enjoy "Decoded." It's pulpy, a tad silly, rather self-conscious and there's shockingly unconvincing acting to the point of comedy. And Meltzer's monologues are hilarious, trying to conjure up a sense of whodunnit? in the arching tones of a cross between Christopher Walken and famed dramatist Fox Mulder.…

Rats. Another cool looking trailer masking yet another lame-o (sigh) PG-13 horror flick. I guess I saved my ten bucks.

There was a short-lived (like most of its series) 90's Fox show called "Unlikely Suspects" or something like that where McMurray played a cop and the audience played his partner, i.e. a program whose entire raison d'etre was breaking the fourth wall.

That's just mean. :(

It has more to do with "bitching."

Perhaps Colm Meaney read an advance copy of the script and said, "I'm gonna stay on the space station, thank you."

Ahem…

Capra always did a good job of drawing raw emotion from Jimmy Stewart, as well as slipping a little black humor into his films. "Arsenic And Old Lace" anyone? Stewart's rant in "Mr. Smith Goes To Washington?" Good stuff those.

!!!

Interesting argument.

After seeing the video essay "The Speilbergian Face" on "Great Job, Internet," I wonder if the director applied his trademark technique to the horses as well as the humans. Just a thought.

"Do you like gladiator movies?"

"You remember Amanda? She's been asking about Riker. Again."

"Get a haircut, hippie."

"Don't do movies. You'll probably just end up having to work with a bunch of mutants in Hollywood."

"It's time to put an end to your trek through the stars."

One of the best series finales ever created. "All Good Things…" possesses what most series' finales lack: a satisfying sense of closure. I'm ignoring the movies, of course.

Saw "Highlander" while in middle school on some Saturday afternoon broadcast on a non-network network. In other words, I just stumbled upon it. It did have an engaging cachet. Of a 12-year old mind, to writ: "…The hell is this?"

It's curious Lee doesn't point out that in the conclusion of "AI" the aliens who discover David have no faces at all. Is that Spielbergian meta (albeit late in his career)?