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sputnik7
avclub-ceda11c08b37b8f0f53306428c9b6046--disqus

Um, I find it hard to defend either of these episodes other than being "very soapy." We're runnin' on fumes here, folks. However, in anticipation of next week's final two eps, "Emergence" can only be described as

Two words crossed my lips hearing that Patrice O'Neal died:

Umm… I pronounce "Link" like 'link' as in sausage…

I do not like Nickelback. I do not know anyone who likes Nickelback. I do not know a single fan of Nickelback. Not to paint with too wide a brush, but:

But Manson was apprehended in 1969, three years after the show first aired.

I once heard that a young wannabe musician named Charles Manson (yes, THAT Charles Manson) auditioned for the Monkees and almost made the final cut.

I was made to sit through this film last night. An hour and 40 minutes of penguins. I can't remember any of it.

How sad.

OH MY GOD! Stupidest thread I ever started!!! I am sorry! I am so sorry! I was just arguing semantics, for pity's sake!

Only one comment in "Genesis": The frackin' term is DEVOLUTION, not DE-EVOLUTION. This bugged me even back when I was a wee tot. Sorry, English major. However what really goads me is Data, freakin' walking talking Wikipedia Data spits out that incorrect term. Don't they have an LCARS spell-checker in the 23rd century?

After reading this post, blood spurted from both nostrils, my bowels evacuated, and viscous blue ooze jetted from my ears ragefully because my brain had finally reached its limit of inane bullshit it could tolerate from morons who have too too too too tooooooo much time on their hands.

Thumbs up from a closet Rush fan! Not anymore, I guess…

"Interior logic" are the watchwords of any science fiction/fantasy/horror plot. The events that transpire over the course of the narrative have to be within the context of the story. The moment the writer deviates (or cheats his audience) from the defined "rules" of his work, the audience rejects it. For example: why

Wow. First. Okay.

That's a good point. A studio recording does sound all nice and shiny (and 'Lulu' was indeed mixed well), but live performances often show certain disparities between the artist's controlled concept and the spontaneity that is required of live shows (not improvisation, but a sense of urgency). Also with live

You know what they say: if you can't play well, play loud.

Um. Huh.

Frankly, I don't give three shits about whatever op-ed crap a celebrity tweets or pukes up and the media hangs on to. As if it's really crucial information like how to repair the ozone layer or define pi or something.

I'm surprised Hurt wasn't asked about his very prescient role in "1984." And what? No love for the original "Hellboy?" How out of character was that for Hurt?

What's ironic is that they have a cocktail to accompany Minor Threat.