Well, for added confusion, Nicieza's book (with Patrick Zircher on art at the start and Brown at the end) was initially published as Cable & Deadpool, which Marvel switched in reprints to Deadpool & Cable when Deadpool became more popular. Like you do.

I've only been reading Atomic Robo (it counts!) and Harpy Gee with any regularity.

I'm shocked, shocked I say.

I tried catching up on the first volume of Grayson in the hopes it might explain what's going on in Batman & Robin Eternal, and it helped. More importantly, though, everyone was right—that book is both great and a lot of fun, especially that Future's End tie-in.

Look, judging from what we know about representation in the industry, let's just come out and say it.

Point of information: Hellboy did it first.

Hell, I'm still holding out hope for at least some mention of the cameo appearances on Captain N.

Makes Cambodia look like Kansas.

I honestly don't remember the tone of the season one trailers, but the tone of the season itself was ultimately leavened with humor and wit—in no small part thanks to Leland's character. (And Foggy's, but he's certainly not showcasing that trait in this clip.)

Running late. The Batmobile? It lost a wheel. The Joker got away.

"We've got a profile update on the Hell's Kitchen Shooter—he seems to be leaving a calling card now. Some kind of… blobby frowny-face."

Sorry, stealing additional lines from The Dark Knight.

Very poor choice of words.

I was hoping somebody would throw a lighter into one of those crime scenes and reveal that the Punisher had meticulously laid out a skull pattern in flammable material after he murdered everyone.

I miss Leland already.

… things have taken a dark turn.

As incredibly powerful and pervasive as Disney is, it's a wonder you get away with having a Midnighter icon.

That's not funny. That man needs his medication.

Issue 14; #15 came out this week.

I can't be racist; I just referenced a Will Smith property!