It's like the Drinking Bird said. He's passed the point of wanting to change. Now he HAS to change.

The Drinking Bird showing up as an actual character on this show may be one of it's most gloriously bizarre moments ever, made even more wonderfully weird by the fact that said bird was voiced by Rufus goddamn Wainwright.

Wilson is also one of the show's most vocal celebrity fans, which makes a lot of sense.

Question: why DO we love Bradley Cooper? I've genuinely forgotten. As for the board of nominations, of all the gems from all women in the director's category to Daniel Day-Lewis and Meryl Streep under sound editing and the Best Actress nominees mainly comprised of J-Law, my personal favourites are easily Tom Hardy(who…

I had no idea that was Paul F Tompkins and couldn't be happier.

Is it just me or was that song by the same people who delivered the equally situation appropriate Kyle and the Kids last year?

"Aw, I can't stay mad at you! It's your eyes I could go SWIMMING IN THEM!"

The need to talk about the final 4 episodes is officially unbearable at this point.

It was a perfect Bojack Horseman ending, in that it doubled both as an amusing punchline and grim affirmation that everything our protagonist just went through was basically unnecessary and pointless.

I know Lisa Hanawalt deserves a tonne of credit for her work here, but I want that damn soundtrack. This sounded quite unlike anything I've encountered this year, and was as much a pleasure to listen to as to look at. Also, I read a suggestion somewhere that if the show is open to high concept episodes like this,…

This episode felt like a hand wrapped gift for fans in the best possible way, not least in the delightful final twist on the credits song. Also, I could listen to Jeffrey Wright's rich rumble for hours on end. Much as I appreciated all the Biel puns, my biggest laugh of the episode may have been his growling of the…

THAT'S TOO MUCH, MAN!

Fair play

Episode 3 is my least favorite the show's done in a while, but maybe that's because it has the poor fortune of being sandwiched between what may be two of the best episodes the show's ever done.

Upset as I am that we've been deprived of Lisa Kudrow, I'll take it in exchange for more Ana Spanikopita. She's dangerously devoted and batshit fucking crazy and Angela Bassett is a goddamn treasure. I already miss her every time she's offscreen.

Oh yes. Oh so very very yes.

Here's hoping they can replicate the book's really raw and upsetting tone. The scenes towards the end are especially crushing and seeing them sanded down at the edges would irk me greatly.

Great fucking news. She's bloody fantastic.

The opening night drive set to that haunting score is as enticing a start to a movie as I've seen this year. Then it basically turned out to be the indie, low-key version of Race to Witch Mountain, with the Tomorrowland set catapulted in for good measure. I also felt like Nichols' signature minimalism was essentially…

I feel like that would be a step back. One of the biggest successes of season 2 was turning Diane and Mr PB into a genuinely nuanced and convincing couple. Bojack's infatuation always struck me as one-sided, and it's clear they're toxic for each other.