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dog of man
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Power through the first few episodes and it will surprise you. Guaranteed.

Fukunaga's direction and McConaughey's note perfect delivery. Time is a Flat Circle just doesn't sound right coming from any other mouth, and that applies equally to pretty much everything else he said.

Supposedly Radcliffe's first and only question when offered this movie was, "Can I do my own stunts?" That's pretty much why I like him in a nutshell.

Seward, Lyle and Cat as a mismatched buddy team would be the best thing ever.

You'll want to hug him far more than you'll revile him.

I'm actually quite happy that this show came in, did the job it wanted to do on it's own terms for exactly as long as it thought necessary and then bowed out. Most shows don't make exits nearly as dignified. I'm fervently anticipating the cult following this show may very well develop. The light that burns twice as

Definitely the most unnerving.

I'll miss this show terribly, but the ending felt just right. I'm sad the show appeared so unloved, but it was a beautiful monster and there are clearly many who can, do and shall love it. For a pulp melodrama, it had true poignancy, and many of these actors, (Green, Hartnett, Piper), would do well to look upon their

And Bojack Horseman.

I'm digging Daniel Radcliffe's new career direction. I'm not convinced he's a great actor, but he's game for pretty much anything, especially sending himself up and Farty Boner Corpse movies. He has an eager to please enthusiasm that's kinda infectious.

Can Olenna adopt Lyanna Mormont so there can be a spin-off of them trotting about, throwing shade and cutting bullshit? How about a special bottle episode devoted to Lyanna's disastrous playdate with Robyn Arryn?

Sat there in silence for about 10 minutes after that. Few episodes of TV have caught me off-guard quite like that…

"If you are not out of my driveway in 30 minutes, I am calling the police. And if you ever contact me or my family again, I will fucking kill you"
That shit still stings.

Get on that second season ASAP. Seriously good.

I'M NOT A COWBOY! I'M A COWMAN! I'M A MAN MAN!!!!!

Season 2 was the best season of anything Netflix has produced, and I have zero reservations about saying that. Fair to say I'm stoked.

If only.

Between the latest Outlander, Hold the Door (sorry) and this fucking thing, TV Land has gone Medieval on my emotions in the last few days.

What did we really learn from the Cut-Wife episode? Not all that much, and I wouldn't begrudge that episode it's existence for the world. Same with this one. It buggers belief that come the third season people still watch this show to get key plot developments week-to-week. This show is indulgent by definition, and

Uh, yeah. Best episode of TV I've seen so far this year. It almost seems like poor taste to say or suggest anything else.