Ahhhh, that makes sense. Although frankly the less I know about this song, the better I will feel. It's my fault for bringing it up, though.
Ahhhh, that makes sense. Although frankly the less I know about this song, the better I will feel. It's my fault for bringing it up, though.
Ahhhh, that makes sense. Although frankly the less I know about this song, the better I will feel. It's my fault for bringing it up, though.
I adore the Frogs, truly sad news.
I adore the Frogs, truly sad news.
I'm sorry, but even as a longtime NIN fan, The Fragile is a bloated mess of a record, with sequencing done last minute by Bob Ezrin, Dr. Dre doing a horrible job on the final mix of a track, and probably the worst Trent has ever done lyrically. It's like he exhuasted his eighth grade diary and had to pull out one from…
I'm sorry, but even as a longtime NIN fan, The Fragile is a bloated mess of a record, with sequencing done last minute by Bob Ezrin, Dr. Dre doing a horrible job on the final mix of a track, and probably the worst Trent has ever done lyrically. It's like he exhuasted his eighth grade diary and had to pull out one from…
Low by David Bowie we just won't mention, will we.
Bastards.
Low by David Bowie we just won't mention, will we.
Bastards.
Penultimate?
Penultimate?
Back in the 90s when the backlash really was at its peak, Phil Collins was synonymous with 80's overproduced music. That sound, that slick overproduced sound, was seen in the 90s as synonymous with corproate culture, and thus rejected. But I think as the public's perception of what makes music corporate has grown more…
Back in the 90s when the backlash really was at its peak, Phil Collins was synonymous with 80's overproduced music. That sound, that slick overproduced sound, was seen in the 90s as synonymous with corproate culture, and thus rejected. But I think as the public's perception of what makes music corporate has grown more…