"All right, buddy, where'd you get the sugar for that tea?"
"All right, buddy, where'd you get the sugar for that tea?"
I thought that episode was amazing! It's almost always nice seeing Lisa go to a dark place.
Plus Homer's courtroom spiel telling celebrities "the public owns you for life" is both hilarious and has yet to become any less relevant.
I think the Pin Pals episode have a bowling team CALLED "The Stereotypes", full of guys like Groundskeeper Willie and Cletus the Slackjawed Yokel, and Apu says, "They BEGGED me to join their team."
I don't get why the ending is a problem. Sneaking into a museum after hours may not be something most people would do, but there are definitely folks who'd think that would be a good idea, and Homer would absolutely be one of them.
"Axe’s hand-of-the-king/hype man Wags"
Years can go by between formal events like weddings or job interviews, though. Even if you bought a suit the last time you had to go to something like that, it might not fit anymore when the occasion arises again.
"All I've found is that these red lights keep moving back and forth. Aside from that, this thing seems to have no other function whatsoever, sir."
I know J.J. Abrams had virtually no involvement in Lost beyond the Pilot, but I'm still amused that here we have people inside a hatch, and the mystery is what's outside.
I gotta throw my love behind the CLASH OF THE TITANS trailer. It follows the formula mentioned here almost exactly, but it just does it so darn well.
In the middle there, was anyone reminded of:
This is not the Cheers spinoff movie I was hoping for.
My head canon is that Freddy actually DIDN'T kill all those children, but the hysterical parents refused to believe it and formed a lynch mob anyway.
It matters to the people who actually make the movies and TV shows. If they know how many Netflix viewers watch their program, then they have an idea of how much they're worth to Netflix, and can bring that knowledge to the contract negotiation table. Without that information, their bargaining power is limited.
Do we really need a fancy technical solution to get ratings for Netflix? Couldn't the Nielsen group just do what they used to do, and have people fill out a log of what programs they've watched?
I'm glad he got rid of that hat he had in the first episode, though. Between that hat, his hair, and his face, I kept expecting an elvish Silent Bob to show up and keep him company.
Realistically, the characters shouldn't be speaking anything that we would recognize as English. So if you're going to have them speak a language we can understand, you might as well have them talk like normal people.
I get the sense that they originally had a scene planned where they talked about how having footage of an actor actually being killed would boost ratings, but then they decided not to give the CW execs any ideas.
It looks fantastic, and it's got a nice sense of fun to it. I personally find it refereshing to watch a high fantasy series that doesn't try to make the dialogue sound all formal and old-timey.
Han Solo: "Wildcard, bitches! Yee-haw!"