avclub-c667cf0c46dde68983659e6294f52947--disqus
Kyle Gillis
avclub-c667cf0c46dde68983659e6294f52947--disqus

@avclub-9ff7c9eb9d37f434db778f59178012da:disqus Here, we see a short, bitter, unattractive man trying to justify his shittiness

Changing mine a bit from last week:
Sleepy Hollow (new), Community (veteran, midseason), Dads (new), Super Fun Night (new), 2 Broke Girls (veteran)

@avclub-2586d0717b58d4f4383144ca1341d079:disqus The 1/4 album thing was an experiment in surround sound, something they did for fun. I highly suggest looking up the fan made version where it's all put together in stereo, it's actually one of their best albums.

@avclub-96f15daceb6669363fbf7f762ed57703:disqus Try listening to a song called "Freaxx" by Brokencyde. That is all you need to know about the style.

This works with larger genres, like "heavy metal". Even though some people don't like it, or aspects of it, metal has plenty of great bands. It doesn't work for these new, smaller sub-genres. I refuse to accept that there's even one good "crunkcore" band.

Picking their comedies is like playing on easy mode

Dads (new)
The Crazy Ones (new)
Sleepy Hollow (new)
Revolution (veteran)
Glee (veteran)

I thought Enlightened was pretty great

Some of the songs are pretty strong lyrically (Dr. Carter, Comfortable). There's a dud or two, but overall it's great.

eh, it'd be better if it didn't have any Quasimoto on it

Vince Staples is easily the high point of the album. He may be "welterweight" right now, but in a few years he'll be a bigger name than Earl, easily. Why? Because he gives a fuck about his verses. He spits them like they actually matter to him.