Sure, but I like that they kept it vague. I almost find it funnier if it's just this vague idea of of a company.

Basically it makes her relationship with Mulder seem borderline abusive—she does this because deep down, she thinks it really is Mulder (even though she claims him not knowing about the files proves it isn't), because somehow, "lying about his identity after hiding for months" is just something she believes he'd do to…

If your weapon is actually broken, you need to go to the blacksmith in the game's hub town (the town with the lady who levels you up, M-something).

1.) It would almost certainly not have enough readership to be worthwhile.
2.) I would fucking love to do this.

…so _that's_ what you take from that picture. Interesting.

Yeah, you missed the experience of seeing it when you're 10, loving it, and then seeing it when you're 27 and realizing it's a terrible fucking film.

Eh. I still don't buy it, but like I said, the result isn't bad at all.

Yup, that's the line right there. I forgot to mention Quark's big scene, too; it's interesting, and I like it in retrospect, but I was briefly positive that Laas had somehow escaped and taken on Quark's form.

The actors have largely sold me on it; conceptually it's a mess (there's never any real justification for Kira going from "he's a good friend" to "love of my life"—I'm sure these things can happen in actual life, but in a drama, you need _something_, and Odo loosening up a bit at Vic's just wasn't quite enough), but…

I had four or five Garfield books, and I read them over and over and over again. Kind of miss that. (Thankfully, I did the same thing with Calvin and Hobbes, which has aged just fine.)

Nah, it's entirely within your rights to call me out of if you don't like a review, and I have no right to get snippy about it. Everything's cool, nobody's here on purpose, we're all gonna die. :)

Edited because man, that was pretty dickish of me. Apologies if you didn't like the review, but I feel good about it—hopefully you'll enjoy whatever happens next week.

I love The Shining (novel) to no end, and while I'm a big fan of Kubrick's version, I think a more faithful adaptation of the book could be great. That said, the tv movie version was fucking terrible.

I liked this because "Mr. Brooks."

The plausibility of it never even occurred to me. I'm objecting to the fact that Scully and Reyes needed someone to save them. It would've been far more satisfying for one of them, or both working together, to take down a dude who murdered a whole bunch of women.

"Improbable" made me active angry in the first half; I liked Reynolds just fine, but the goofy tone didn't mesh well with the brutal murders, and at certain points (especially with Vicki's death), it played as though the joke was supposed to be the death itself, and I don't think that works. Like, ha ha, everyone's…

It would be funny if the lawyer turned out to be the killer.

If you are, I don't want to know what's going to happen to me for laughing at the dead judge reveal.

I also found getting up super close and just constantly circling to his back works pretty well.

"stunningly rich," huh?