To me, the changes which keep the dark ending from working as well on screen as it did on the stage happen before "Don't Feed The Plants." I was excited to get this on Blu-Ray—I've been wanting to see the original ending ever since reading about all those DVDs getting recalled—and it really is gorgeous, definitely…

That never even occurred to me, but HA.

That never even occurred to me, but HA.

SPOILER

SPOILER

If the courtyard dude comes back non-zombied, I owe you a Coke.

If the courtyard dude comes back non-zombied, I owe you a Coke.

Well, you can't cut off a man's back. Also, we have no idea what would've happened to the guy if Stabby McStab hadn't gone to work on him. (Although I'm sure he would've died eventually.)

Well, you can't cut off a man's back. Also, we have no idea what would've happened to the guy if Stabby McStab hadn't gone to work on him. (Although I'm sure he would've died eventually.)

"
I don't think Nog is really portrayed as being as inept at business as his father."

"
I don't think Nog is really portrayed as being as inept at business as his father."

That's not really my criticism, although obviously I didn't express myself well enough. It's such a tricky issue, but my problem was less "Sisko should've told Jake to take a hard line," and more, "I wish they'd at least acknowledged how fucked up Nog's behavior was." Which may be just an inevitable result of the…

That's not really my criticism, although obviously I didn't express myself well enough. It's such a tricky issue, but my problem was less "Sisko should've told Jake to take a hard line," and more, "I wish they'd at least acknowledged how fucked up Nog's behavior was." Which may be just an inevitable result of the…

Well, by "takes on Tony's last vestiges of humanity," I don't mean he's a good guy or anything—I mean that he takes over Tony's role as "kind of an asshole, but maybe there's something in him worth saving." And I  agree, there's little to no hope for him by the end. I just think he echoes some of his father from the…

Well, by "takes on Tony's last vestiges of humanity," I don't mean he's a good guy or anything—I mean that he takes over Tony's role as "kind of an asshole, but maybe there's something in him worth saving." And I  agree, there's little to no hope for him by the end. I just think he echoes some of his father from the…

A.J. sort of takes on Tony's last vestiges of humanity in the end; I remember liking him a lot more this season than I had in the past, and thinking that there was maybe just a shred of hope he could get out somehow. In a way, he's just the latest iteration of the Soprano curse—we've seen Tony go from "monster…

A.J. sort of takes on Tony's last vestiges of humanity in the end; I remember liking him a lot more this season than I had in the past, and thinking that there was maybe just a shred of hope he could get out somehow. In a way, he's just the latest iteration of the Soprano curse—we've seen Tony go from "monster…

Yeah, this is why I don't live in Chicago. Whenever I disagree with her, Tasha just _looks_ at me, and I forget how to spell my name. Thank god for the Internet!

Yeah, this is why I don't live in Chicago. Whenever I disagree with her, Tasha just _looks_ at me, and I forget how to spell my name. Thank god for the Internet!

"During a cartoonish, over-the-top sequence where Kitsch flashes back to his dead family on Earth and single-handedly slaughters dozens of savage Warhoon-tribe Martians"