Or "Bro Lagoon," where a couple of dudes are forced to hang out in a tropical paradise, punch each other on the shoulder for a while, and then ultimately give in to the subtext.

Another great part about that score: roughly a quarter of this episode is, because of the long shots, people walking from place to place. Which could've been tedious, or worse, very silly, but Mark Snow's music makes everything seem very, very important, even when it really isn't. Without him, I don't think the…

Another great part about that score: roughly a quarter of this episode is, because of the long shots, people walking from place to place. Which could've been tedious, or worse, very silly, but Mark Snow's music makes everything seem very, very important, even when it really isn't. Without him, I don't think the…

Yeah, I'd be up for that, and I think Todd and my lists would be different enough to make it worthwhile.

Yeah, I'd be up for that, and I think Todd and my lists would be different enough to make it worthwhile.

I can't say for sure (and I would never argue it deserves to be this high up on a gaming list), but as someone who never really went in for multiplayer, Goldeneye is one of the few games I ever really enjoying death-matching in. Maybe it was just a function of when the game came out—I'm sure there's some mean for the…

I can't say for sure (and I would never argue it deserves to be this high up on a gaming list), but as someone who never really went in for multiplayer, Goldeneye is one of the few games I ever really enjoying death-matching in. Maybe it was just a function of when the game came out—I'm sure there's some mean for the…

"
If only because Breaking Bad's ending seems 'easier' to write than one for Mad Men. "

"
If only because Breaking Bad's ending seems 'easier' to write than one for Mad Men. "

Yeah, I'm basically Dexter in a cardigan.

Yeah, I'm basically Dexter in a cardigan.

Again, that's not the kind of comparison I'm trying to make. As I said above, it's more the difference between a really good twist, as opposed to a functional one; as others have noted, Ro's decision meant a lot because she was a semi-recurring character on the show (as opposed to Calvin just showing up). "The Maquis"…

Again, that's not the kind of comparison I'm trying to make. As I said above, it's more the difference between a really good twist, as opposed to a functional one; as others have noted, Ro's decision meant a lot because she was a semi-recurring character on the show (as opposed to Calvin just showing up). "The Maquis"…

You're misunderstanding my use of "comparison" here—or else I didn't do a good job explaining myself. (The latter is more likely.) I didn't mean the twist in "Preemptive Strike" somehow reduced "The Marquis, Part 2" from a plot perspective, or in some empirical way. I just meant, here is how you do a character…

You're misunderstanding my use of "comparison" here—or else I didn't do a good job explaining myself. (The latter is more likely.) I didn't mean the twist in "Preemptive Strike" somehow reduced "The Marquis, Part 2" from a plot perspective, or in some empirical way. I just meant, here is how you do a character…

Seriously, you have to ask? (The use of "worth" is a tip off here. As is pretty much everything I've ever written for the site.)

Seriously, you have to ask? (The use of "worth" is a tip off here. As is pretty much everything I've ever written for the site.)

I really enjoyed doing that "Wire" write-up, but I felt bad I didn't get into Tain more. He was not at all what I was expecting, in a very cool way.

I really enjoyed doing that "Wire" write-up, but I felt bad I didn't get into Tain more. He was not at all what I was expecting, in a very cool way.

"
So was the wire really supposed to be the reason why Garak acted so happy all the time? "