Worded.
Worded.
Neckbeard, thank you for introducing the phrase "lubricated swarm" into the internet lexicon.
How could it be disappointing when the first two movies were so atrocious?
Hey, Sephiroth, could you explain that to me in the most pretentiously symbolic, blatantly expository manner possible?
The Power of Love?
I'm looking forward to the shoehorned time-travel subplot that allows Marley to remain a puppy for more than a year.
Michael Wincott (we just pretend that he was once famous)
That might almost have been my exact point, Totz.
Man…
Gary Oldman sure gets some shitty dialogue in these movies.
Stale abortion scent or GTFO.
Would WWII really have been THAT bad if Jews answered those sharp knocks at their doors only to be greeted with smiling Nazis who cried, "Sexagram!" before forcibly—and cheerfully—applying Stars of David to their arms.
It's true, Lobsters1. All but 20% of the American Support Tax enjoys hiking and other wilderness activities in America's many National Park franchise locations.
So…
…is the problem that the Hopi character is not played by a Hopi actor, or that he's played by a Mexican? Because I kind of have a feeling that you wouldn't make a big deal if an Apache was played by a Cherokee or a Cree acted as a Sioux, but as soon as he's Mexican… whoa there, Pedro!
You make a compelling—if nonsensical—point, joaquinstick.
Now James Purefoy is introduced simply as Wild Card Purefoy, which makes for confusing reading, but would be a pretty badass name. "W.C. Purefoy, at your service."
Setting
First, why does a movie's period setting have to have a purpose, unless it's contemporary? What would the purpose of having it set in 2011 be? Second, the setting probably does have a purpose. I haven't seen the film, but I suspect it relies on the kind of psychiatric hospital that doesn't exist anymore, with…
Lobsters1: "Any German who wasn't a devoted Nazi by the beginning of the war was a dead German."
I subscribe to the AV club for the nude photos of attractive young women.
Submitted for your approval: one Sam Neill, circa 1993.
Maybe you should have said that the first time.
You guys know that trailers almost never use music from the advertised film's score, right? And that the movie probably hasn't even entered the editing phase?