This write-up made me laugh about as much as last night's It's Always Sunny. Seriously, Teti, you have it down to an art.

South Park usually stayed within "cartoon dark," like someone grinding up his enemy's parents and making them into chili. A kid picking up drinking just to be able to deal with the world? That's not "cartoon dark." That's genuinely quite dark.

"Dexter looked positively giddy while bagging those snakes. Do none of his coworkers find that odd?"

I always think of Absolutely Fabulous, which suffered the same problem of being revised time and time again with worse returns each time.

Party Down's ending was perfect. A movie would ruin it.

He's catty in a stupid way too, where he has bon mots but they're not witty, and he makes references but they only show that he /doesn't/ understand what he's referencing. On the other hand, I think he's easily been the most talented, creative designer this season.

I didn't find her vapid—I thought her critiques were all pretty solid. But damn, was she ever brittle and depressive. She looked a bad dress away from bursting into tears.

And when he inevitably falls to go-go dancing to pay the bills, he has a whole routine already prepared!

Cloudy With a Chance of Meatballs.

I find it hilarious how much you are the exact target audience of this show. That's it; I'll hop off now.

It's not Jon Benjamin's voice if it doesn't end in an exclamation point!

It was pretty great, but it doesn't compare to the Jar of Talbot.

Still, he had two days. If you think about what previous seasons of designers could have done with two days, it was a pretty pathetic showing.

Also, it seemed as though the focus of the challenge was much more "make something that is visibly related to the artwork" than "make something avant garde."