avclub-c3f89a51cdfefb2fffe60f2e04729eeb--disqus
Owlman
avclub-c3f89a51cdfefb2fffe60f2e04729eeb--disqus

I think you would say your tromboner was 6 parsecs long because that is a unit of distance and not time.

I thought there was a point where maybe there would be a stale mate because Gosling protected that kid. But nope, that only bought him his life, not his boner arms.

You bring up a good point.  If Superman is NOT trying to kill Zod when they are punching each other all over the city, then what is the point? Superman should be punching to kill, not just weaken his enemy enough so that he can subdue him. Most of the punches between the two of them resulted in at least a thousand

I liked that it was a blink and you'll miss it joke. I was totally expecting them to feature that sign over his shoulder, but they didn't show it again. It was admirable restraint in my opinion.

Zod demands Kal-El to be delivered, not Clark Kent.  They only go to the farm because they had dream conversations(?) with Lois and Kal.

Has anyone else noticed that this version of the song has changed considerably from the initial version?  I may be being gas-lighted here, but pretty much all the criticisms about apostrophes and whatnot are fixed here, along with fixes to the spelling of Gretzky and Mach-ee-o.

I didn't pick up on the significance of Arlo's grave being there without previous mention, but I did notice there was a third gravestone there with Raylan's name on it. I wonder if that had been there all the while or whether it was new?

they show Jody reaching for something in his back pocket that I assumed to be a phone that he contacted Kinsey with. How he actually spiked the tire I do not know.

I thought he said "colt" as well. I was actually surprised when it wasn't Colton breaking in the door to save Boyd/Raylan. The idea that instead of saving boyd, he was just shooting the shit with Tim the whole time is a great gag though.

I was skeptical going into ghost protocol and then Josh Halloway showed up and I thought, "awesome, I didn't know he was in this."  And then (SPOILER) he gets demolished right away.  What a fucking letdown.

She almost makes me forget all about… tacos. 

That whole exchange tickled me because I work in a photo lab and have heard variations of that conversation many times. They captured it pretty accurately.

"All Raylan has to do is tug on this douche’s hair to get a “simple ‘they went thataway."
I think Raylan was tugging on something else besides Joe Hoppus' hair.  Joe goes to stand up and Raylan reaches over with his right hand and stops him in his tracks before grabbing the back of his hair.  He is clearly squeezing

I think scott stapp may have stolen lyrics from Daryl Strawberry from his classic single, "Chocolate Strawberry". Daryl clearly flows with the "strike one, strike two" line almost a decade before stapp thought of it. Never mind  the stolen bases and perfect games.

I think scott stapp may have stolen lyrics from Daryl Strawberry from his classic single, "Chocolate Strawberry". Daryl clearly flows with the "strike one, strike two" line almost a decade before stapp thought of it. Never mind  the stolen bases and perfect games.

Movies like rambo 3 and james bond: the living daylights are wonderful time capsules of our foreign policy.  Also, I learned that they play football with dead goats in afghanistan.

Movies like rambo 3 and james bond: the living daylights are wonderful time capsules of our foreign policy.  Also, I learned that they play football with dead goats in afghanistan.

I thought Rambo was great because they finally portray him as the fucking psychopath that he is (aside from the first one). The tone is so different than the sequels that it is almost a horror movie.

I thought Rambo was great because they finally portray him as the fucking psychopath that he is (aside from the first one). The tone is so different than the sequels that it is almost a horror movie.

I don't think it is sad. I think it is great that the guy who started out doing St. Ides commercials moved up to doing Coors Light commercials. His first four albums are all classics, but I always skip over a few songs because "Horny L'il Devil" doesn't always get the party started.