avclub-c25880f6f57be9bf99f73c19e8e02110--disqus
Rapspeare
avclub-c25880f6f57be9bf99f73c19e8e02110--disqus

Rapspeare wants it noted that tomorrow is Remus' birthday. Tomorrow should be Talk Like Remus day.

Rapspeare wants it noted that tomorrow is Remus' birthday. Tomorrow should be Talk Like Remus day.

Answer the real question: Does he hate poor people as much as he did on Food and Liqour I?

Answer the real question: Does he hate poor people as much as he did on Food and Liqour I?

See, if he was this funny and entertaining in his music, it'd actually justify the hype.

See, if he was this funny and entertaining in his music, it'd actually justify the hype.

No Homicide returning? That really, really sucks. Back when it was up here, I actually put aside time every Friday to watch an episode and then check out what Phil thought of it. I guess what I'm saying is - could Phil start doing Homicide again? Just for me? I'd hate to have to get a social life instead.

Given season two has just had its write-ups finished, I can't imagine he would. I raise my hand with pedantry on my side.

I concur. I was already struggling to only watch one episode a week, going along with the write-ups. Now I must leave it alone for the foreseeable future? Boo. Boo and hiss. While they were shaky at first, they've gotten into a great insightful swing.

Agreed. The whole 'Duh, British Mad Men' seems to mean "A British show with nice clothes, people with jobs, indoor smoking"

Second series would be great, and the final episode was killer. I actually thought that this series did have one really, really weak episode though, which makes me grit my teeth when someone trots out the "better and better" line.

Homicide's Real Strength
That final scene between Frank and Bayliss is great just for how well it sets up the show's strongest relationship. Real heartwarming stuff. At the same time, they're bonding over a dead little girl, and its midnight, and its all they have to do. I think its one of the clearest moments of the

Re: Deleted Scenes
Forget if they came up in the episode in question (Like A Virgin), but watching through my series one DVDs, there are a lot of small scenes cut out which tend to be there to give background to the case of the week characters, and advance the plot of the case of the week. They usually wind up cut,

The residential in the first series. I forget if it was one episode or two, but I'm fairly sure it closed off that series. The set-piece in the row-boat, where they wind up with the whole class watching as they, naked, with a fish they've butchered, rescued by the coastguard. Slick episode all in all, made fantastic

Impossible to please
So, to clarify, you thought Night of the Dead Living was sub-par because it wasn't even a little bit like something you'd see on a cop show. Son of a gun, on the other hand, gets it from you for being like an episode of a cop-show.

Stood entirely on its own, sure. Within context - that this series is really all about everything coming full circle, its a nice way of getting a different perspective on the situation. Having the lust object be a one-off character is a slick take on it, even if just for the fact that it lets Xander view his own