Alternately, if they choose to buy a vowel, it could be called FUX.

I'm still holding out for a Pam and Lana team-up.  Maybe Cheryl could be a stowaway?

Anthony Michael Hall?

With the shotgun rested across that guy's shoulders pointing right at the girl next to him, I guess they're gonna save even more money by reducing their main cast by 25%.

Daddy would have gotten us uzis.

The whole toupee thing was hilarious and weird.  Of course Gus ends up in the Secret Toupee Room instead of the Secret Chocolate Room.

"He's not dead!"

Was the car parked?  Or had it crashed?  I can't remember now.

Honestly, the least interesting character (to me) is George.  I mean, I get that a show like this has to have someone semi-normal reacting to the insanity around them, but Tessa's reactions seem to have more comedic oomph than his.

Agreed that that is the reason, though considering Tessa's insecurity about her fading hip-ness in the last ep, it's odd that there wasn't even a scene of her talking to Lisa about 1. feeling conflicted about giving advice, or 2. Lisa's Dad CRAWLING THROUGH HER BATHROOM WINDOW.

Did you get that thing I sent you?

*30+ seconds of bleeping*

Alternately, Archer could be out-of-commission for some reason (or running a separate op, with the dog) and Pam could partner with Lana.  Be fun to see who Lana finds more irksome in the field.  Plus, more Pam = win.

They'd have to guest star on The Americans for that.

He did.  I guess that's somewhere, technically.

The P.E.E. segment was my favorite of this ep, though I liked that Pierce was less one-note with Jeff in the barbershop parts.  The stuff with Abed went nowhere, sadly.

I P.E.E. freely!

As digs go, that was pretty subtle for Psych, but I think it was intentional too.

@avclub-4f18f486a356810b3ef8008243bcba7a:disqus Because The Cure's Pornography came out in 1982, and the show's timeline as of this episode puts it in 1981.

Alan Tudyk + Mariachi Band = win.