avclub-bf59aaafb2d7eef459b48b5a0d49fac4--disqus
Negator76
avclub-bf59aaafb2d7eef459b48b5a0d49fac4--disqus

or Katy Mixon's predictably terrific performance at the 'April Party'.

And I didn't even mention Stevie's hilarious horror at being discovered at 'the hit'.

Holy crap, Marilyn Manson is now a dead ringer for Steve Little. Crazy.

OK. OK. OK. Where to start.

I agree with you and with everyone below. Except in the case of 'Equipmunk'. Equipmunk is so unexplainably weird that it is indeed funny. So. Unexplainably. Weird.

The only one of these I've seen is 'Jason Goes to Hell', which may have been trying something new with the formula, but it also is more likely one of the crappiest, most tedious bait-and-switches of a movie ever. We don't get to see Jason actually hang out in hell, we just get to see him possess the body of a Patrick

'Martin' is a masterpiece. I saw it for the first time last year, and the home invasion sequence is a stunner. Easily one of the most interesting and intelligent horror movies I've ever seen. I think Romero just lost his edge with age.

It was a wonderfully realized human element added to what had previously been a somewhat contrived 'antagonist-of-the-season' character. As much as I enjoy this show, these moments are too rare.

I was, admittedly, mesmerized. But it had more to do with trying to suss out her figure underneath the unflattering flapper styles…. Is she buxom and sexy or fat and sexy?

I agree except for the smarter and cooler parts.

who the fuck downvotes you for that? Not only is it a good track, the man is dead and you can like whatever you want.

Parker Posey getting an orgasm from the vibrating phone in her underpants was a brilliant bit of physical comedy, and also awesome because, well duh, it was Parker Posey having an orgasm. But I must admit I haven't really connected with anything Hartley's done since 'Henry Fool'. I'll always be a little sad

Ha, I didn't know that was a criticism leveled at Sondheim. In fact, it seems to me that anyone who traffics in an artform in which the characters SING THEIR FEELINGS could never, ever, EVER be accused of being 'unemotional'. But maybe that's why I like Sondheim so much… He doesn't come off as cloying and saccharine

Glad to see someone downvoted that fuckhead Paul Lazar! Downvote his dick into the dirt!

I love the fact that Kenny is apparently a big fan of popular foreign language dramas, seeing how he dropped an Amores Perros and a City of God reference in the same episode.

Well, I'm a fan of eating out and I certainly know overpriced restaurants (New Yorker here)— The prices seemed fairly high, indicating a fancier-than-usual restaurant. Most good restaurants in Brooklyn keep entrees squarely within the $20-$30 range. More ridiculous is that the desperate Stuart would balk at the

Agreed. It's three episodes in and I have no idea how Stuart affords that house in the first episode, blows $800 on drinks for a bunch of 'stock sitcom party-girl moocher-types' in the second episode, and balks at a $50 filet mignon in the third episode—while on a date with the first attractive, nice female who has

Whoops, fixed.

YES YES YES.

'The Shadow' was a goddamn hoot.  It was fun, charming, it had some nice period atmosphere and a fast-moving script that balanced self-awareness with decent action and cinematography.  And it was was peppered with great little comedy beats performed by an incredible array of actors—Peter Boyle, Jonathan Winters, Ian