"… a “rising star detective” in New York who moonlights as a vigilante “seeking justice for those the system has failed.” "

I'm waiting to get into the books until my daughter is old enough to read them to, but I'm really looking forward to it. Have the whole set already bought. Anyone cool enough to play accordion on Magnetic Fields albums has enough artistic talent for me to want to check out there other works, even if they're in…

"… heavy on the gross-out factor and light on the narrative follow-through."

Archer did it!

"Honestly, it's better than a lot of Season 1 stuff."
Negative.

"Here's hoping McNulty shows up as the head of like a real irish gang muscling in on the Paddy's irish bar turf."

Yeah, when did anyone decide that was a subpar episode? Charlie trying to teach Mac to play hockey in the alley was hilarious.

This was worse than "Liberty Bell." Dennis and Mac fopping alone was better than anything going on here.

Schwarzenegger, imo.

Good call. Instead of saying, "We're going to check in and out mentally," it could have been, "We're going to insert ourselves into the roles of your flashback in order to stay engaged."

Damn good and underrated.

"The Hardest Part" off "Jacksonville City Nights."

He's writing a show. They asked him which shows he liked and didn't like. He said, "Well, I like x, y, and z, but a, b, and c aren't my cup of tea."

So much of everything they're good at. Great episode.

Love his voice, but the songwriting or selection isn't great, I thought. “What A Little Bit Of Love Can Do" is definitely the standout.

I really got crazy on, "I'm a certified FOOL," actually.

Way to pick the lyrical fill that occurs during the lead up to the bridge as an example of the song's overall lyrical strength. He's basically fucking scatting at that point.

Astute analysis.

It definitely could use a "Magick" or a "Halloweenhead," but overall, a good effort.

"After that, Stones records picked up where Side One of Tattoo You left off, acting as lead-ins for the highly profitable tours that justified the Stones’ continued existence more than any apparent artistic spark."
I thought "Voodoo Lounge" stood out from the pack.