Geez, name drop much?

I feel like the only other person in this part of the Venn diagram is  @avclub-0969cc92581148eb5f98f23e4f9e17c6:disqus .

Timothy Olyphant is everybody's type.

Whoever wrote the exchange between Tim and Colt wins that honour, this week.

Speaking of Wynn, while I'd welcome him to Canada, I do hope he's not permanently gone from Kentucky.

Art was totally your embarrassing dad for half of this episode. His trying slightly-too hard on the 'Sausalito' line was perfect.

I gotta say, I loved her running away in a panic, mostly because there are times when I've felt an urge to do the same. Hit home a bit.

"I know this isn't going to end well, but the whole middle part's going to be amazing."

Mouse is the MVP every week.

@avclub-832d86d3a05e2b4973c329471ee9d6c4:disqus Tell me moor!

He's also secretly Canadian.

His interactions with the Amish people have been my favourite parts of the season. A fascinating dynamic.

I was really hoping Nick had bought a house on a hellmouth.

Joan needs to work on her disagreeing. Sherlock's pretty good at it.

Dude, emotion-free Elena is a bitch.

This show always kills it with the references.

Why must they toy with us??

That's a really good point, that would only require a one-liner—concern about the example it sets for Debbie, or just a line she's not willing to cross.

There was a momentary flicker—when Fiona called him a sociopath and he looks offended? surprised? curious?—that gives me some hope. I love the kid, and hope they make the character work.

I do quite like the show but I'd be lying if I said my enjoyment wasn't directly proportional to Sasha Roiz's prominence and shirtless-ness. And French-speaking-ness.