avclub-bd639b876c6a37363c08ea18cbcfe0c4--disqus
Conatonc
avclub-bd639b876c6a37363c08ea18cbcfe0c4--disqus

It's easier to boycott a ceremony when you don't have a reason to be there in the first place.

I assumed that Lena just saw Camille sitting there as a memory/sisterly connection and that Chloe was still actually sleeping on her lap.

There was that bit where the military dropped a camera down there and caught a creepy nightvision video of…something humanoid. So yeah, they kinda sorta barely returned to that idea in the scene with Adele.

Nooooo!! Now where will John Oliver get footage when he needs news clips for Last Week Tonight?

I'll give you that. Noah is definitely bad at that aspect so far, though I enjoy him quite a bit as host (the new standing intro is…not a good fit). Hopefully with a few more months on the job he'll get past the "Wow, it's Ice Cube. I can't believe I get to talk to you" thing.

Colbert is pretty sorry with most of his celebrity guests. Unless it's someone he has a vested interest in (Steve Carrell, the bit where he fake vomited with Emily Blunt and then redid it a few months later with her husband, John Krasinski), it's the typical bleh interview. He does a better job with authors and the

Both of those were names of places I recognize from reading the Metro Times as a teen and twentysomething, but never actually got out to either of them.

Raiders of the Lost Ark: The Adaptation is one of the most flat-out enjoyable pieces of moviemaking I've ever seen. I highly recommend it. I'm not sure a documentary about the movie will be anywhere near as fun as the actual movie, but since I live down the street from a Drafthouse, I'll probably go see it.

Even enjoying seeing my hometown on the tv every week only pulled me through six episodes of Low Winter Sun.

I liked it. Guess I'm in the minority here.

I'd say it is. Or at least often provokes an interesting conversation about a bad song. This is not as good as that.

Considering how bad Crank: High Voltage was as well as the generally dire state of the rest of Neveldine and Taylor's movies that aren't Crank, I'm gonna say a big "No!" on Crank 3

The drumming on this album is so expressive. I'm really impressed by it. Overall the record is very good, but I'm not gonna put it above Blue or the best bits of Yellow and Green.

Hatesong is usually funny. Next time you want to do a "definitive takedown", you guys should probably just stop yourselves before posting it and get a comedian to do a Hatesong instead.

So which niche cable channel is going to pick this up? Are Comedy Central or SyFy gonna go back to the well 20 years later, or is it gonna end up being something obscure like Pivot or a premium looking for more good buzz like Starz or Cinemax?

Just for completeness' sake, here are verses 2-4:

Much more relevant when discussing Robert Lopez contributing songs is that he was a driving force behind The Book of Mormon and especially Avenue Q.

So this is happening after all, then. Because i read last month that Marvel might just be saying "Fuck it, we got nothing" on Iron Fist and swapping in a Punisher series instead.

Yeah, aside from Aaron's super-fun Wolverine and the X-Men, Carey was probably my favorite mainline X-writer of the past decade. I also really liked Brian Wood's anything-goes take on the rebooted Ultimate X-Men.

Guardians was very readable while he was on it, but it wasn't nearly as much fun as the Abnett/Lanning series.