avclub-bc7957046c67689e8660b7d6998c418e--disqus
bearissoslow
avclub-bc7957046c67689e8660b7d6998c418e--disqus

This episode was fantastic. It made me laugh a ton of times and god damn I am so glad they stopped defining Elliot/Starchild in terms of the fact that he's gay. He actually got scenes that didn't involve Kurt and had some characteristics to define him besides being flamboyant. And having noncontemporary music tunes

Wolf of Wall Street is the first movie I saw that made me say "Wow, i'm gonna have to start taking Jonah Hill seriously as a comic actor", and this episode of SNL almost undoes that revelation. There's something about hearing "I'M SIIIIIIIX HEY LADIES HOW YOU DOIN'" that's just so completely hilarious, especially when

I enjoyed this episode, but I think they sort of backtracked Coach's character a bit from his date with Cece. It felt like the episode was making a point of saying "he can't converse with anyone about anything not sports related, hijinks ensue!" when it was more apparent to me that he COULD talk about nonsports stuff,

I'm giving this episode an A, it had me consistently laughing, and it's probably the first episode of the season I can say that I enjoyed without going "but…". I can only think of one sketch that didn't really work for me (Wells' wooden reading of Nancy Grace), but even then Drake saved it with his Katt Williams. In

Actually, contrary to popular belief, A&E isn't government owned and is in total constitutional right to fire anyone for saying anything that would give a negative public image for them. so while on paper it might seem like a first amendment issue ("I should be allowed to say whatever I want with no

This is not, and never was, a first amendment issue.

Jimmy Fallon has always been painfully unfunny to me outside of the Barry Gibbs sketch, and him corpsing through every sketch is pretty obnoxious after the first 28 times.

Mad to see the only mention of Fruitvale Station be that it was horribly directed, and mad to see the comments trying to tear apart Spring Breakers even though it was brilliantly filmed.

I was greatly satisfied by the fact that Kurt both pursued someone for sexual means that wasn't related to Blaine in any way, and was able to kiss him on-screen too. I'm so tired of Klaine hugs. I did groan a little at the "Don't tell Blaine about this" moment though, so it basically defined the whole situation in

This is a true return to form for Glee, something I've been aching for. It has the comedic power that it needs to run as a comedy while still having the bite to address its characters' flaws and condemn them for it in one way or another. And somehow I enjoyed the extravagant musical numbers that don't tend to make

Generally good episode, but I have to knock it down for a. condescending so blatantly to Becky b. hinting at Sam/Rachel, who've otherwise had minimal (at best) interactions, and c. wasting an otherwise golden opportunity for Tyra to be in Glee on a character that's been said and done before. B

To be honest, I think it's never going to be addressed, and I'd even forgotten about it until just reading this.

Everything that involved Will in this episode was cringe-inducing, including but not limited to his attempt to be as "threatening" as Sue. And any episode that deals with Unique is just hard to sit through. All that aside, this was a shockingly good episode, at least to me. It had a good number of laughs, it

the biggest problem with the little girl killing Karen and whoever is that the bodies were dragged out and burned. Either Carol did that to cover for her or it wasn't the little girl.

I'd like to imagine an odd couple situation with Gov and Rick living at the prison. Wacky hijinks could ensue, including but not limited to someone washing the socks with the colors.

D