Well, it doubles up on Ebert's Harry Dean Stanton/M. Emmet Walsh rule, so how can it not be?

Actually, the Bradys would be a cool family to join, unfortunately that would automatically make you cousin Oliver.

On the other hand, where the fuck is Charles Dance? This guy just owns every scene he's in.

Brooklyn Nine-Nine is the only show on this list I'm actually looking forward to, but it's paired with "Dads", which feels like an in-congruent show to follow.

I was willing to give this show a chance just on the cast alone, but that laugh track makes it impossible.

And for extra fun, turn on the english dub and english subtitles at the same time. Almost every single line of dialog is completely different, yet have similar meaning. Just a fascinating study in how two different people translate the same language. 

"No death was as stark or moving as Lori’s".  Disagree. Carol's daughter at season two's mid-season finale seemed to have more impact. It was an incredible payoff that made you glad you stuck around despite all the meandering plot points and dull storytelling.

I'm really,really hoping this gets renewed. It's one of the best B-movie style television shows done right. Its true strength is how good all the supporting characters are, something shows like have a hard time managing (I'm looking at you DEXTER).

What makes point #7 even funnier is that a couple of episodes ago Regina used magic to check out the contents of Belle's purse (which was witnessed by the tourist guy) when everyone was thinking, WTF!, couldn't she just have open the damned purse and looked in?

Six million dollar man was also important for introducing FEMBOTS. Absolutely one of the most import concepts that adolescents of that generation had for derogatory insults of each other.

Also, John Boorman's autobiography "Adventures of a Suburban Boy" has two huge chapters on "Hell in the Pacific" and "Point Blank" which has some of the the greatest director/actor anecdotes I think I've ever read.

The first three seasons were watchable, but the fourth season got rid of all the at-home melodramas and stuck to the cop-on-the-beat stories. Suddenly it got much, much more watchable. Looking forward to this season.

Hopefully you get to see the original beautifully shot version instead of the horrid directors cut which (thirty years later!) inserted a bunch of MTV-friendly fast edits and asinine images.

3 episodes in, and I'm absolutely loving it. After a disappointing start to a lot of new crime dramas (Vegas, Hunted, Transporter), this one came out better than expected.

This sounds like "Duel", a game show that ABC cancelled years ago after a very short run. Way to go NBC!!

This sounds like "Duel", a game show that ABC cancelled years ago after a very short run. Way to go NBC!!

Sunday nights are insane! I've got my PVR double recording every hour, and then relying on the west coast feeds/HBO rebroadcasts to catch-up on other shows I couldn't fit in. I end up with about 10 hours of programming, more than the rest of the week combined.

Sunday nights are insane! I've got my PVR double recording every hour, and then relying on the west coast feeds/HBO rebroadcasts to catch-up on other shows I couldn't fit in. I end up with about 10 hours of programming, more than the rest of the week combined.

The record number of walkouts for me is Cronenberg's Crash. At least half the audience didn't make it to the end.

The record number of walkouts for me is Cronenberg's Crash. At least half the audience didn't make it to the end.