There was also a version of if on the show "Zoom" (is that still on?) but they used "ub" instead of "iggity."

I think I read an interview with WIll Arnett where he said that's his and Poehler's usual way to get people to relax about their 2 (3?) infant children.

That girl's "WHAT?" was Don Draper worthy. So scathing and hilarious.

Yeah, me too. It's pretty atypical and awesome to see a show where literally every sketch features or is about being half black. Not in an obtrusive way, and it helps that these guys are funny as hell, but I don't think I've laughed in such specific recognition before.

*drops mic*

I also loved the movie theater scene as an obnoxious black cinema nerd.

The best part of that episode was that they both just happened to be totally comfortable and at ease within the format of such a high-energy, frenetic show and actually made some good and funny judgements. Ru Paul's Drag Race will bring us all together, halleloo.

Here we go again!!!!

I think physically becoming an adult and "growing up" have become almost entirely divorced in the contemporary first world. I think we got the concept from an era when going through puberty meant that you would have to go to war/do intense physical labor/inherit a business/get married/ bear children, forcing you to…

Sure she can decide who to sleep with, but I think Nick was being at best a good friend who noticed that Jess had a sort of crazy-eyed desperation to have sex for no reason, and at worst selfishly trying to prevent something that would have had awkward consequences that could impact their living situation. Nick is…

I agree with you totally, but for a less eloquent reason - I just automatically cannot support any plot that falls into the trope of stalking paying off. It's used SO frequently (to varying degrees; here it was somewhat creepy but not overtly so) and it's so completely untrue that it takes me out of the story…

I wish he had to wear those glasses Killface and Amazing X got stuck with for the whole first season of Frisky Dingo.

Interestingly enough, I think it sort of parallels Kurt's own agressive courting of Finn in season 1, and Kurt is probably the only character who has grown enough to actually realize his own mistake and use it to comfort someone else.

It's not WHAT the fuck… but When.

I like Breaking Bad, and obviously the skill/finesse/timing of the shots are better than 100% of those in student films. But some of them are just frustrating; I mean, they didn't reach the bottom of "dirt." Nothing artistic is accomplished, at least in my opinion, by having them wipe dirt off of the camera lens.

As someone who is put off by small kids and has a fascination with psychopaths, I thought this was an engaging horror film, if not necessarily one that appeals to people who don't share those two perspectives. Swinton is great, though typically withdrawn in her approach. I agree with the majority of the commenters…

I actually appeciated the "punchline" to Curtis' soapbox scene. It wasn't about making a Whitney Cummings period joke. It actually took into consideration the stress Curtis was experiencing from the deception he was forced to maintain and the unwanted attention being forced on him,added the hormonal mood swings some…

OH MY GOD the Friends With Benefits TV show was one of the hightlights of my summer it was so awful. I know you only gave an honorable mention of sorts to it but I swear that show deserves the Year-of-Flops Nabinization treatment. That's how hysterically bad it was.

Of course I'm thrilled to see Louie, Community, Parks etc. rank so high. But I'm especially glad Misfits, Happy Endings, and Treme were included. Those are three shows that have less than thirty episodes each and yet I find they have instant rewatchability.

Shit, @avclub-71d85662a2df87a0f5c7b88db4587969:disqus , that is a dark interpretation. I read it more as embarassment mixing into that weird, ferocious outburst and leading him to meander in his explanation before admitting that he both likes tying up girls and being tied up himself.