And all she wanted was a little help with the breast cancer 10K!

I thought her sketches were far superior to her stand-up bits from the same shows. I just hope it's because she's better at writing sketches and not because she has more help writing sketches.

Indeed. Thinking about it, both shows had several of the best performances of the year, it's just that only one of them used multiple actors to get them.

Results won't be tabulated until 12/26. So if you were a responsible voter, you would review all the possibilities and wait unti—you already submitted your vote, didn't you. DIDN'T YOU!

The reviewers bookmark comment threads that make them cry themselves to sleep, for just this purpose. (My choice wasn't there either, but that's because the commentariat agrees with it — but you are all wrong also! ONLY I AM RIGHT!)

They are three very different shows, so naturally that's a hard choice. I went for OITNB as best new show, but duly recognized Tatiana Maslany's as the best performance of the year. (OITNB had several of the next-best performances of the year, so I had to give it the edge overall.)

Where's my Dodge Durango?

Dolphins kill sharks. I'll say that again: they KILL. SHARKS.

That's why Angels Revenge will always be my favorite episode. It has everything that makes for great MST3K: redneck mockery, faded celebrity mockery, '70s mockery, terrible sexist cheesecake mockery…it's the total package.

I picked up this collection because it's one of the rare 4-episode grab bags that doesn't include one I already have on VHS (most of the final three seasons that aired on Sci-Fi) — and I'm really excited, because I've actually never seen the fabled Russo-Finnish troika.

I like it too. I don't think every comedy needs to be meta or cynical or surprising. This show is obviously meant to be warm and safe and familiar — TV comfort food. Maybe today's audiences are so trained to expect spicy cranberry duck salad that they turn their noses up at a big bowl of macaroni and cheese, but I…

I felt the same way about the first episode, but I think it's loosened up a bit since then. I blame the fact that it's airing on CBS. There's probably some CBS CEO of Old reading every script and writing cranky comments like, "Slow it down!" and "I don't understand this part, it's stupid!" and "Why doesn't Ed Asner…

All three shows are now in a place where I enjoy spending time with the cast, although Linda Lavin on SSTW is still cause for dread; maybe it's something from my own past that puts me on edge when confronted with the nth iteration of the Sterotypical Overbearing Mother, but I'd just as soon never see her again.

[Test comment, disregard.]

Who's the Boss? has the right gender/apparent age distribution — Catherine O'Hara as Katherine Helmond isn't too much of a stretch, but Chelsea Peretti as Alyssa Milano kind of is. And Jon Glaser would require severe makeup work to approximate Tony Danza. I think I'm going Too Close For Comfort as well.

"I WROTE THIS TO HEAL BRITAIN!"

Babies grow fast in Hollywood so you can get your money's worth out of them — the labor rules for Mommy's Little Actors are incredibly (and admirably) strict.

I haven't seen him on a date with a beautiful woman in a loooong time, though. He's had few storylines to call his own since Season 2 or thereabouts — I think the last one might have been "Glovesy."

After struggling with it for years, I just wound up picking up a rolling machine at the head shop. Yes, it makes me powerless to assist in those impromptu moments where the pot and the papers are all you have, but if you have some extra prep time and just want to bring 3-4 joints along a concert or a picnic or…

The Source of Magic is a very good fantasy novel, easily the best of the entire series. I think the last one I read was Man From Mundania or whatever that was called — IMO they only became completely unreadable once he switched publishers, but the quality dips considerably after the first three and drops off a cliff…