legally concrete blonde: Me too. It was a bit of a shock to not see him acting incredibly slimy. But he's a good actor, and that feeling went away quickly.

Yeah, no matter what annoyance or frustration Lily has on HIMYM (and I like both that show and that character), it will never top how ridiculously insufferable Willow is in this ep.

George Michael!

Yeah, I also feel Triangle tries to hard to be funny but isn't as funny as it thinks it is. And, as someone pointed out elsewhere, Willow is completely in the wrong, acting utterly annoying and selfish and stupid.

Odd. It told me I write like Z0diac M0therfucker.

I typed in the last two paragraphs of The Great Gatsby and got Stephen King.
I then typed in the "Tomorrow and tomorrow and tomorrow" soliloquy from Macbeth and got Bram Stoker.

Annehog is coming along?!?

SPOILER

Noel: isn't it hard to see Holand Manners and not think "Hey! It's Bernard!"?

It is indeed the same character (and actress). She goes from vamp groupie/runaway Chantarelle in "Lie to Me" to runaway Lily whose boyfriend gets made a slave in "Anne" to shelter for teen runaways operator Anne in "Blood Money." It is pretty cool how well defined an arc (and a redemptive one at that) they give to…

Zoidberg having a doctorate in art history was awesome.

Chock? Complaint Box? Catherine Moves On?

Yeah, yeah, I know, I'm the only one of us regular commenters that doesn't like Noise. We've discussed this before. I just find Dave and Mr. James' talk while they're under the thrall of noise to be just…just…annoying. It really annoys the crap out of me.

Where are you now Mr. James?

Yeah, I always liked the Garrelli brothers B-plot, at least in comparison with Part 1's Joe-on-strike B-plot. There's so many funny moments throughout, specifically Joe's brother hitting him rather than hugging him and the amazing "the time for talk is over." The commentary for that episode pretty much is everyone…

Ozone Clown - definitely, though I fell that while both are similar in idea they are both unique in execution, which is what makes them both so great (and the best moment in "Hush"'s presentation scene wasn't the incredibly violent transparencies—though those are very funny—but rather Buffy's seeming plan to…

Imaginary?
It's been a couple of years since I last watched the film. The central service guys' come-uppance is imaginary? I remember that happening before Sam's non-flying hallucinations started up. I was pretty sure that one, specifically, was a REAL comeuppance. Am I remembering wrong?

Kyle, those are both great endings, but I have to say I've never considered the ending of either Brazil or Time Bandits to be what you'd call happy.

Now, my story begins in 19-dickety-two. We had to say "dickety" because the Kaiser had stolen our word "twenty!" I chased that rascal to get it back, but gave up after dickety-six miles.

I'm seeing double! Four Krustys!