avclub-bb181e83b9ac6be1b28b2a2b26dcd73e--disqus
Milkman
avclub-bb181e83b9ac6be1b28b2a2b26dcd73e--disqus

Yeah, I don't think it was supposed to be saying that Dracula created the castle. I think it was just a meta joke on the part of the writers.

SPOILERS

Not just politicians. Specifically one politician, over and over again.

What? High Society and Church and State are Brilliant. His best work. This review is closer to his style in the first 30 issues. Still, the real question is whether Sam Adams is a better critic or anarchist/brewer/patriot.

Not what I was expecting
When I read the headline on the front page, all I could think of in my head was Mark E. Smith growling/yelling "World Cup! World…..CUP!" over an aggressive electronic beat. I don't know if I'm relieved or disappointed that I was wrong.

Not to be nit-picky, but I only mentioned eight (I don't like the second batch of Johnny Johnston eps). But I did forget a few, like Flowers for Matthew (one of the only times I really like their use of Matthew in season 5, other than the aforementioned apartment quiz show, and Matthew as chicken in Hippies) and

I think it was pretty clear myself, if not outright spelled out, but then the next thread also had people who seem unclear. Perhaps you all watch it in sydication and a scene was cut out? Because it's pretty obvious in the episode.

No, she sabotages him. That's why she keeps on talking about how nice his family back at the radio station is. After he tells her about them and insults her.

Oh, come on, how can you not love Matthew as a dentist? Or Matthew running for fire marshal? Or Matthew's homoerotic adventures on the big muddy?

I find it hard not to like Lauren Graham or the character of Andrea when the episodes she's featured in are so damn strong. If they could have promised every episode she was in would be as good as The Public Domain, Super Karate Monkey Death Car and French Diplomacy (Planbee is also good, though not as legendary as

I'd say there are a small handle of good episodes in season 5, and a lot of terrible ones. The Johnny Johnson/DB Cooper arc, Boston, the apartment episode (if only for Matthew's quiz show for Dave and Lisa), Hippies, Lucky Burger. Bill Moves On is really an excellent episode of television (though yeah, hard to watch,

She had a bunch of great moments in season 3 (Rocket Fuel Malt Liquor, 3 Card Monty), but next to nothing these first 8 episodes of season 4 (minus, of course, Catherine Moves On)—hell, she misses a couple and I barely notice her absence. It doesn't help that those two—The Public Domain and French Diplomacy—are among

DEADWOOD SPOILERS APLENTY

Weekend has a perfectly fine (if light on special features) release by the sadly defunct New Yorker Films. As such, I'm not sure it's still in print, but it's widely available on the net and the transfer looks great. It's not really in needing of a Criterion version.

I personally don't really care for Godard's late period stuff (In Praise of Love was the closest I think it's come to being worthwhile at all, and I'm not even that big a fan of it either), but if he wasn't working during this time, he never would have made Histoire(s) du Cinema. And that is a towering feat—perhaps

Agreed. Harold Bloom is awful.

Alright, now tell them to untie my buddy or I'll—

can't GET. Whoops.

It's sad we can't an actual Downfall remix portraying this image exactly.

Community was completely meh to me for the first 6 or 7 episodes, including the mcuh loved around here Holloween episode. The first one I really liked was the debate episode. Two out of the last three weeks, though (the Goodfella's parody and this week's action movie mish mosh), it's been absolutely fantastic. Not as