to be fair
Chad's new toaster oven is fucking amazing.

I realize I'm late to this party and now that Rabin has posted another MYOF entry, not many are bound to read this, but, "You knit so I'm going to call you a fag?" What the fuck is your problem?

circle jerk on the cusp of the abyss
So, do they circle the abyss and masturbate into it?

The end?
I don't think the ending of "Eternal Moonshine…" was supposed to be a cliffhanger. It's just a riff on movies that end that way, leaving the door open to a sequel. It was better the first time they did it, on the re-discovered original ending to Casablanca.

BRICK was freaking amazing. I saw it twice in the same week in the theatre. The day after the second time, my friend and I were emailing each other about the archetypes that - I'm seriosuly geeking out here ain't I? Eh, you get my point.

no Hammocks?
Fine. But now I picture you all wearing different hats at once.

no hammocks
For I

Confessions of a former Rent-head
I was so into this show when it premiered. I even saw the show on my 21st birthday with most of the original cast. That was over ten years ago. AND IT'S STILL PLAYING! Anyway, what I didn't realize then is that 1996 - the year of said premiere - saw the debut of effective drug…

I will grant you that it's too precious, but the relentlessly quirky dialogue either faded away after the opening scenes or I just got used to it.

Lance, you write as though Cody wrote JUNO as some kind of shortcut to indie cred. How does any writer or director earn any kind of cred if not by making a movie?

And the waitresses low-cut uniform was integral to the plot, what with her giant melons…

MJF also has the retainer that Marvin bends into a key to unlock the elevator when the yellow team gets stuck inside.

The original cast album is my favorite and the best representation of the show as it played on Broadway.

I may just be so used to them that I don't notice it anymore - though INTO THE WOODS has a very noticeable echo.

No worries. Most people have never even *heard* of TWO GENTLEMEN, while the FOLLIES cult grows and grows and grows…

more more more more
Thanks for doing this Noel. Exposure is Sondheim is always for the good.

More More More
FOLLIES did not win the Tony for best musical, it lost to TWO GENTLEMEN OF VERONA. Sondheim won his second consecutive Best Original Score Tony for the show. And his third foe A LITTLE NIGHT MUSIC

He became Francine back in '76. Then he joined that cult. I think his name is Mother Shabubu now.

KOTH
Everyone else has pretty covered The Simpsons, so here's what you missed on King of the Hill.

What the hell, let's fuck.