Losing Elena gave Bonnie a spotlight, which is weird because it was supposed to do that for The Brothers, but their story was already told.

And because hers was the only love story that worked the past two years and she single- handedly saved Enzo as a character.

I think both things. This show was always good at ghost stories.

But Josette!? And, yes, "dear Diary, he promised to be with me always, and HE WAS!" And this after promising to avoid a Lost ending.

I wanted to see Elena's bio-mom.

I prefer Carolaus. And I don't think Katherine was a vampire. Elena cured her, then Silas took her blood, then she got dragged to hell.

Lapis only likes Steven. And maybe Peridot. She'll never be close to the other gems, she sees them as her jailers. Everyone is trying to please Steven in any family scenes. But also remember, she's wrong, the gems didn't know she was in the mirror . I suppose we'll find out Rose did it one day, kind of a Bismuth…

Totally fooled my dvr, had to watch it online, still angry.

I always agree with Lapis.

We don't know everything about Lapis, we've mostly just seen her angry and discontent. She can have suspicion, irony and meep-morps all at once.

Could the Cooper attic have been any more horrifying? It's like another trick chamber in the Cabin in the Woods up there!

The years go by, and he still covets the part of Xander. Love it. His contribution to the show was amazing as Jonathan, "Superstar" was hilarious, and then he gets such a tragic death scene too.

Or has it always been, and now the mask is off?

He and Jonathan both did get redemption arcs of a sort, but not poor Warren, as Adam Busch had hoped.

Classic Andrew.

I like how Gamergate is basically Warren's fault (I buy it), and the love for Rack and Doug Jones. A villain who appreciates other memorable villains!

The Beek on Riverdale? Only if he's an evil Blossom!

Who saw Spike becoming Giles Jr. though?

The description of how Head kicked has ass in early scene without him even noticing is pretty impressive. An actor with humility! Not to mention so much effulgence!

Love Marsters' self-awareness about that horrible moment, and about why he needed to redo the crucifixion moment, not bothering the writers, etc. He focused on his job at all times, the acting that made Spike so indelible and challenged the writers to make him multi-faceted. Wish he'd mentioned Drusilla, though!