Great movie.
Great movie.
Have we seen her do it with Ptonomy and Syd? I can't recall clearly, because the situations are so ambiguous. But what about all the coming and going through hidden doors, and I don't think all of the reality switches or teleports were David's doing.
Melanie is at least psychic, she and David don't need their mouths to talk.
Or are they still in last week's memory chamber at Summerland?
We need to smear some vaseline on our lenses to buy that relationship I think. He's only 9 years younger, so it's possible, and they had the money to have children in her 40s if there were any medical issues, but the dialogue keeps calling attention to her looks.
No doubt. And the film did as much with visuals as with dialogue, one of its strengths, I just felt Margaret Qualley could have done more.
Nah again, Holden, Clift and Brando were 20th Century hot! Don't sell the icons short.
I like those ideas. Or, they are by his ex, and she was so fixated on those views and that place and time with him that he had to wriggle out of it somehow, or drive her away but keep all the stuff and satisfy himself with dalliances evermore?
I'm not disputing the importance you give to Holly, just complaining that Amelia is a stereotype more than a character.
And while there's been a lot of Kathy Bates, especially in Ryan Murphy joints, she's different every time. Love her as old Joan Blondell! I hope they have somebody for Ginger Rogers, too, she kept working a long time!
They were making money, though, at least the early ones. Many of the older stars found work in them, like Ray Milland and Joseph Cotton. I think it wasn't until the 1970s and 80s until they started showing up on soaps (daytime and night-time) instead.
"Be careful with his leg!"
I think what Bonnie knows is that Madeline reeaally resents her.
We know that the murder was very violent, right? That indicates rage and impulse control. Renata and Madeline are the ones who tend to get ugly quickly in public.
Perhaps taking after the principal? Maybe it's a horrible school.
Interesting. What about if Celeste called her privately and said she was frightened? Not that she would, but I thought there was generally little hope that the abuser would stop.
We could, but does the story support that? I haven't read the book, but the camera certainly sees him as an object of beauty at least her equal. Every shot of their house is an Anthropologie advert, so I need something more to buy his insecurity. He's tall, rich, blonde and well, Tarzan.
He was 1950s hot.
I really liked the contrast between New England and LA in their homes, sets and clothes . I have no problem differentiating the two. Of course I'm gay and old so I own several if their movies. All four of the actresses that is.
A lot of shows and films have tried to portray Nicole as some sort of sex goddess, but all I could think when Perry was confessing to his fear of losing her was: have you never looked in a mirror?