Yeah, as far as I can tell, it was just for the ads. You would think they'd have filmed a whole video with the time they had to shoot the promo, but what do I know?

So I guess it's official: Being a revolutionary genius in a genre of art (music, film, theatre, etc.) means not being a mentally balanced and nice person. Good to know.

Sure, we could add it to the list if the numbers for the 6th anniversary of HAIRSPRAY and the 10th anniversary jubilee for the TV remake of THE MUSIC MAN end on time.

"I'm Sergeant Frank Drebin, Detective Lieutenant Police Squad!"
"Yeah, and I'm Robert De Niro."
"Mr. De Niro, we have to get inside!"

"You know what, guys? I don't think we should have Phil Donahue back next year."

"Craig Zadan and Neil Meron, who also produced this year’s Seth MacFarlane-hosted debacle, will once again helm the show."
Why? Is this country hungering for more inexplicable tributes to CHICAGO?

"Loved you in CONEHEADS. You, too."

Is it just me, or doesn't it suck we haven't gotten any official videos from Daft Punk on this album? Yeah, I respect the whole "let the music speak for itself" stance, but if there's any Daft Punk record that needs some amazing videos, a la DISCOVERY, it is so this one.

Actually, they gave it A PERFECT FUCKING 5. And it was a cover album…of Fogerty's own stuff…with special guest stars. Come on.

Um, TATTOO YOU much?

How much of a man are you when you can brag: "Yeah, I hurt Mary-Louise Parker's feelings."

Damn you for making me remember Superheavy.

Funny thing is that on the cover, they call MAGNA CARTA HOLY GRAIL a "stumble", but the review itself gives it three stars. Same rating they gave NEVERMIND, by the way.

What's really offensive is this snot nosed brat who looks like he should be playing keyboards for Vampire Weekend makes the cover and Osama never did? Figures. Bieber's been on the front of it twice, while AC/DC's only been on it once.

Come on! Stop whining! You Redditors are soft! You lack discipline! Well, I've got news for you. You are MINE now! You belong to ME!

Nuh uh, my friend. We all know THE GREAT TRAIN ROBBERY in 1903 underwent several rewrites from Elias Lindelof, and that most of the film was actually taken out of Edwin Porter's hands in post-production by producers Duke and Vernon Weinstein.

Ah, Hollywood: Sucking the soul out of talented and creative people since 19forever.

I'm going to make you as happy as a baby Psychlo on a straight diet of Gurbangulys!

David Mamet: proof that even Pulitzer winners are subject to going batshitty.

Not to mention the copious, Scrooge McDuck-esque vaults of HOMICIDE and REDBELT money.