My favourite line of the night was "Pray the Dork Away," something about the delivery just killed me. Also, did anyone else cheer when Dave Foley wheeled in?

My favourite line of the night was "Pray the Dork Away," something about the delivery just killed me. Also, did anyone else cheer when Dave Foley wheeled in?

This is going to sound stupid, but I imagined Sean Astin would be shorter. Not hobbit-short, but certainly not taller than Hicks. I couldn't place him until the credits flashed by, but he seemed very good even before then. What's the bet next episode is flash-back heavy?

This is going to sound stupid, but I imagined Sean Astin would be shorter. Not hobbit-short, but certainly not taller than Hicks. I couldn't place him until the credits flashed by, but he seemed very good even before then. What's the bet next episode is flash-back heavy?

I think that maybe The Imposter makes too much of the question of what happened to the real kid, but it is interesting that the con man tends to come off better than the actual family. Mainly the sister, who thinks she comes off well but ends up looking a bit ridiculous.

I think that maybe The Imposter makes too much of the question of what happened to the real kid, but it is interesting that the con man tends to come off better than the actual family. Mainly the sister, who thinks she comes off well but ends up looking a bit ridiculous.

Rear Window caught me out on that count too. I really wish it had been like that, as it would have been more interesting as a study of the delusions one gets when they are shut-in.

Rear Window caught me out on that count too. I really wish it had been like that, as it would have been more interesting as a study of the delusions one gets when they are shut-in.

It seems like Officer Walker is back, only this time they're going to have the authorities do something about him.

It seems like Officer Walker is back, only this time they're going to have the authorities do something about him.

On the movie front I watched The War Room and re-watched I Love You, Man and New York, New York.

On the movie front I watched The War Room and re-watched I Love You, Man and New York, New York.

As a New Zealander, I don't think Lucy Lawless has actually had a distinctive New Zealand accent for a while. When I saw her on BSG, it took me a while to cotton on to the fact she was a New Zealander.

As a New Zealander, I don't think Lucy Lawless has actually had a distinctive New Zealand accent for a while. When I saw her on BSG, it took me a while to cotton on to the fact she was a New Zealander.

Watching the credits roll, it seemed like basically everybody was a producer. Seriously, there were like six or seven co-executive producer credits.

Watching the credits roll, it seemed like basically everybody was a producer. Seriously, there were like six or seven co-executive producer credits.

The other tropes I'm thinking of are the dream sequences (modern Burton films tend to have a brightly coloured dream sequence, contrasting with the carefully muted colours of the rest of the film) and the bumbling outsider character played by Johnny Depp.

The other tropes I'm thinking of are the dream sequences (modern Burton films tend to have a brightly coloured dream sequence, contrasting with the carefully muted colours of the rest of the film) and the bumbling outsider character played by Johnny Depp.

That screen test is hilarious. I don't think S3 changes tone quite as abruptly as you suggest, as Double or Nothing is still placed in that back 7 or 8 episodes. Not that it's a good episode or anything, but it's quite a light one.

That screen test is hilarious. I don't think S3 changes tone quite as abruptly as you suggest, as Double or Nothing is still placed in that back 7 or 8 episodes. Not that it's a good episode or anything, but it's quite a light one.