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The Drainpipe
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I love Egon yelling "Shit!!!"in frustration after Venkman asks "Where's the Keymaster?"

Cake is a bisterbal cradabolic amphetamoid.

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"My Amityville Horror" could be the sequel to "My Tutor." What's Caren Kaye doing these days?

"Ummm… Your name is, ummmm, Lutz! Right? Chief Lutz. That's your name. See? The name pop inside my head like that. And your name is, ummmmm, ummmmm…"  
"Biddle?"
"Biddle! Yes, see? I - You - Two more seconds I would have said it myself. I don't need no help from no one, because I'm Johnny Wishbone, psychic

"That's it, Callahan! You just got yourself a 60-day suspension!"

She looks kinda like Gene Wilder:

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"Road Games" is a movie that sounds terrible, or batshit crazy, on paper - "Rear Window," but set on an Australian highway in the 1980s - but somehow it works really well.

Stacy Keach and Malcolm McDowell were both in "Class of 1999." McDowell was the well-meaning but coerced high school principal (and father of the teen protagonist's love-interest). Stacy Keach was Bob Forrest, head of the Department of Educational Defense, responsible for unleashing the killer robots. Neither Keach

And there's the differing reasons as to why Stacy Keach replaced Nicol Williamson in that movie. According to William Peter Blatty, Williamson lost the part because he couldn't do a convincing American accent. According to Keach, Williamson lost the part because he lost his temper not being able to make an

Didn't William Atherton blow up the Hindenburg? Despite the intervention of George C. Scott??

I think Udo Kier alone has played about three of those monsters. Well, Dr Frankenstein, Dracula, and Dr Jekyll, at least. I guess that's only one monster.

Yep. Albert Broccoli even talked to the press about how he wanted Bowie for Max Zorin, and how his uniquely-coloured eyes would be perfect for the part. But Bowie refused, later saying that he had no desire to spend months on a film set, sitting around and watching his stunt-double fall down a mountain.

"Drive-In Saturday" was supposed to be a song for Mott, but that was scuppered by Bowie's then-manager, Tony DeFries, who told Mott that Bowie didn't like their arrangement, and told Bowie that Mott didn't like the song! Divide and conquer. I think DeFries wanted to dump Mott from his management, and had to create a

The David Bowie/Willem Dafoe Connection:

He's kind of the main character - or at least the co-lead - for about the first half of the film.

Yeah, he played quite a few instruments on that album, including all the sax, I believe.

"Into the Night" isn't John Landis' best film by a long shot - my main problem with it is that, tonally, it can't seem to decide what sort of movie it is - but it's weird and edgy and interesting. It's also got an amazing cast, including - as can be expected in a Landis film - an absolute shit-ton of directors doing

Also, 'solo musician, 1969-present' means pretending Tin Machine never happened.