The arts and culture reporter hasn't been to any of the arts and culture stuff I've been to ever (and I'm pretty much always working cultural events). Of the few reporters I've read and liked at the Citizen, Chianello is the best name.

Because I work municipal politics and urban planning, I tend to go for city-specific business newspapers and neighborhood papers. (To that end, I do read the Citizen). Beyond that, my choices are the National Post, the Gazette, and the Globe and Mail - though always make sure they're giving it to you straight.

It's well known for…stuff?

It's the Shitizen. Forget the New York Post, it's its own abyss.

The Citizen doesn't have that good a reputation here in terms of journalism. So this doesn't surprise me.

Thanks. I think the suits were a conscious decision, but the choice to have the Gentlemen silences Sunnydale residents reinforces (to me) the idea that Patriarchy constructs silences and enforces them.
Also, neither Willow nor Cosima are fetishized as lesbians. Now, neither show has a large cast of people of color, but…

What surprises me about all these shows is the strength with which they tackle feminist questions in such subtle and overt ways. The Gentlemen are symbolic of the Patriarchy silencing women and dissent. Orphan Black plays all of that as a series of questions about women's body sequenced, and reduced to property.
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Joss Whedon seems concerned with a similar thematic idea - the body as a proprietary document. Dollhouse and Orphan Black share that, and notwithstanding how you feel about Faith (all of a sudden I can't remember he name, and am too lazy to google it), both hint at similar scopes. But, well, Orphan Black's clones are…

I get it. My favorite episode has got to be a tie between Lisa's Wedding and Homer vs the Eighteenth Amendment.

Yes and no. They hit pretty high early on. Eh, who cares?! The Simpsons are the Gold standard of 90's sitcoms. Only Seinfeld is up there with 'em.