May the man rest in peace.

May the man rest in peace.

Definitely go for Rosemary Lane from '71 — that's Jansch at his best, weaving celtic knots with that sweet, lithe fingerwork on solo acoustic over a handful of ancient ballads that've never been done better (the title track, Reynardine) and some really beautiful originals (A Dream A Dream A Dream really encapsulates…

Definitely go for Rosemary Lane from '71 — that's Jansch at his best, weaving celtic knots with that sweet, lithe fingerwork on solo acoustic over a handful of ancient ballads that've never been done better (the title track, Reynardine) and some really beautiful originals (A Dream A Dream A Dream really encapsulates…

GHOSTS OF THE GREAT HIGHWAY
is TRANSCENDENT. No matter how many times my music library gets erased, that one always manages to creep back onto my iPod in no time. Makes me want to weep, though.

Except that Haneke is a clever director who keeps his most shocking sights unseen.

Gareth Campesino! is the sweetest person in the fucking world.

I'm gonna have to disagree with you on Fluorescent Half-Dome. It's sort of appropriately self-effacing, considering all the different styles and mannerisms that've been unloaded on you over the course of the record. It needs that soft, misty-eyed exit.