I will continue to watch Tina Fey whip and to watch her nae nae for as long as she continues to do so.

The funny thing is, the killing of Zod had ZERO effect on any of S-Man's motivations in DOJ. It's like nothing that happened in MOS even affected him; his only drives are banging Lois and inexplicably having a hard-on for Batman. Even freaking Iron Man 3 dealt with the consequences of events from the previous movie…

idk, let's ask Max Landis about this

Philip/Martha is the Walt/Jesse of this show (relationship that doesn't entirely make sense as written and relies on the actors to spin it into absolute gold).

Motherfucking Blade Runner, Final Fucking Cut, 25th Goddamn Anniversary. No other experience will ever compare.

I'm just playing. I like Aesop. But on the surface, his lyrics do read like a bunch of superstoned pseudo-deep ramblings. Sonically, he makes up for the lack of clarity with his rock-solid flow and delivery.

I love Rob Sonic's first album, I wish anything else he did had matched it.

This cat pulls out some unbelievably killer lines from time to time, but I've always felt like the art of constructing a verse that remains compelling all the way through sort of eludes him. Like they always seem to succumb to overindulgence at some point. If he was a better editor he'd be the greatest MC of all time.

what the fuck does any of that possibly mean

Hell, even on Community sometimes the friendships would get so strained you'd wonder why these people still spent so much time together. They'd have to resort to contrivances like "Study room table has mysterious powers" and "Codependency!" I realize this problem I have is just me wanting Kimmy to be a different show…

When I say NO, you say SURVIVORS!

So much of the pathos of this show consists of 2 non-Americans speaking in flawless American accents, in scenes that convey a tremendous amount of passion and emotion both verbally and non-verbally, which is nothing short of remarkable.

And all shows need guest stars to keep the character dynamics from getting stale. It's just that this show and 30 Rock seem to rely on them too much, to the detriment of its main cast. Like why even use National Treasure Jane Krakowski if you can't give her something to do every episode?

Goldblum is brilliant, solid gold all the way through, and yet his performance brings up my one big problem with this show — it doesn't use its ensemble cast all that well. Each cast regular is always off on their own adventure, their individual arcs have nothing to with each other, leaving minimal time for any…

Don't go and check out Joanna Newsom! Because she doesn't wear glasses.

Is it just me or was Unnamed Switchboard Operator also TOTALLY smitten with Philip? Hope we see more of her.

Gaad is awesome. His secretary is probably going to get killed over his sloppiness, and all he's worried about is his career. What a dickhead boss.

The FBI will NEVER catch up to Martha. She can positively ID Philip, and probably Elizabeth too. The show would be over. Martha gotta die.

"It's ALWAYS the parents. They fuuuuuck you up." This show sums up therapy better than any other.

There's at least one thing I want that she won't tolerate. She has specifically cited it as grounds for leaving me. Maybe it'll be time to call her bluff soon. Though at the moment, it still seems quite unnecessary.