avclub-a46841e0bd51fb5c88bd4abe75e07ec7--disqus
grr_arrgh
avclub-a46841e0bd51fb5c88bd4abe75e07ec7--disqus

also… that computer was way too familiar, I half expected her to have to plug in some numbers

also… that computer was way too familiar, I half expected her to have to plug in some numbers

please explain?

please explain?

also the Van Gogh dance season six (I think?) and the crash-test dummies one season 5
The judges thrashed them mainly because they wanted those dancers gone, but man I found the Van Gogh one incredibly memorable: http://www.youtube.com/watc…

also the Van Gogh dance season six (I think?) and the crash-test dummies one season 5
The judges thrashed them mainly because they wanted those dancers gone, but man I found the Van Gogh one incredibly memorable: http://www.youtube.com/watc…

maybe a reference to how Jenna almost always has her hair up?

maybe a reference to how Jenna almost always has her hair up?

it came up organically!

it came up organically!

especially because he repeats it later once they hear the Hero of Canton song. Great episode for Simon

especially because he repeats it later once they hear the Hero of Canton song. Great episode for Simon

uhm, ok. I apologize profusely for the unfortunate yet unintended typo. And if it came across as a direct criticism of Mandy herself, that was not my intention. Perhaps I should've said the dances were evocative and not reductive, and that it's something that happens with other choreographers as well (as you mention,

Oof. I thought both of the Mary Moore routines this week were almost reductive of other people's work. The contemporary, as Oliver mentions, seemed like a cheap knock-off of Mia michael's addiction piece, mostly because of all the arm flailing involved. And I felt the jazz piece was Mary Moore's version of a Wade

Oof. I thought both of the Mary Moore routines this week were almost reductive of other people's work. The contemporary, as Oliver mentions, seemed like a cheap knock-off of Mia michael's addiction piece, mostly because of all the arm flailing involved. And I felt the jazz piece was Mary Moore's version of a Wade

and the rainstick. Only when Jayne's drunk, of course

also, the movie is choreographed by Travis Wall, Christopher Scott, and Jamal Sims.

also, the movie is choreographed by Travis Wall, Christopher Scott, and Jamal Sims.

That, compounded with the inordinate amount of attention they get from the judges during auditions/Vegas that makes the audience be weary of them before top 20 week

That, compounded with the inordinate amount of attention they get from the judges during auditions/Vegas that makes the audience be weary of them before top 20 week