avclub-a0d7c077dcd509d975cf47653760f3a8--disqus
robsul82
avclub-a0d7c077dcd509d975cf47653760f3a8--disqus

While I do care about Masters the character, I too am not a big fan of nicening him up in this aspects.

Carlin was better than Pryor.

"On Thursday We Leave for Home" made the whole fourth season worthwhile.  One of the best of the series bar none.

I could've watched an entire episode of Wilfred struggling to dial 911.

"And now I'm standing on your NECK!" is definitely the only good thing in the trailer, yep.  Too bad that snappy exchange had to be wasted in something so generic.

I don't know if Sepinwall included it, but I definitely put "The Bridge" under the label of "I Can't Believe It's Not Better shows" he used a few weeks ago in a "Ray Donovan" review.  And the more I think about it, the more I think "The Bridge" might just cheat and make Hank the killer after all.

This is true, I absolutely thought the eyes looked just like Hank's. 

Hearing Ashton Kutcher using his quivering-on-the-point-of-tears voice in the trailer at the "dramatic" dialogue of "the people who change the world are the ones crazy enough to think they can" or whatever…that same one he's used in every movie that required him to capital-a Act at some point? Man, that was the

Anyone else thinking The Beast is the mullethead in the cop office who always gets a scene of two bringing info to Sonya, Marco, or Hank? Always around, always gets a tight shot at some point…Spidey sense is tingling.

CNN's showing the documentary "Our Nixon" at 9 eastern.  Shot on Super 8 cameras by two Nixon aides who went to prison, looks quite interesting.

Just an annoying little thing I kept picking up while watching this - Kruger needs someone to remind her to avoid eye contact.  With the exception of the over-the-top widower scene to establish that she has this syndrome, she had no problem doing so in any other scene that she was across from another actor.  Hugh

Carlin's the greatest of all time. 

Jesse Katsopolis (nee Cochran in season 1), sir.  For SHAME.

Your wife must be the only woman who's never seen Ghost.  "Molly, you in danger, girl" is from that movie - it's how Whoopi Goldberg tells Demi Moore that Patrick Swayze's evil friend is coming with his lackey to kill her.  And Patrick Swayze's evil friend was played by Tony Goldwyn, otherwise known as President

Considering all the footage of Lincoln playing with Tad on the floor or sitting in a chair to read a book with him and the arguments he has with Robert Todd about enlisting, it's very easy to imagine a "Solsbury Hill" recut of the Lincoln trailer that makes the movie about Abraham and his sons learning to love and

Considering all the footage of Lincoln playing with Tad on the floor or sitting in a chair to read a book with him and the arguments he has with Robert Todd about enlisting, it's very easy to imagine a "Solsbury Hill" recut of the Lincoln trailer that makes the movie about Abraham and his sons learning to love and

Gone Baby Gone.  Excellent dialogue, great score music as the various shots of actual locals living their lives unfold, putting the audience firmly in that area, among those people.  And then we get a movie that, while quite solid, hinges on someone thinking the police chief would get away with kidnapping the movie's

Gone Baby Gone.  Excellent dialogue, great score music as the various shots of actual locals living their lives unfold, putting the audience firmly in that area, among those people.  And then we get a movie that, while quite solid, hinges on someone thinking the police chief would get away with kidnapping the movie's