avclub-a071490b596e0cc770ff10b7eb5b2e85--disqus
thecarsonmcullers
avclub-a071490b596e0cc770ff10b7eb5b2e85--disqus

No way.  The Strokes first album was absolutely flawless.  The second was great two, just not as immediate.  After that they stopped playing in the same room and it all kind of fell apart.  But that first ep, then record, then killer tour year they had would make a new band a star today.

Jack White certainly came closer than the Strokes.

Really?  I think it's one of the most derivative non original non sample based pop songs I've ever heard, with some of the worst lyrics ever written.  And I LIKE the Dandys.

Isn't the reveal in the context of Brienne being captured?  Unless I'm remembering it wrong, I can't imagine why they would change that.  It's so much more effective when it's like Cat's back!  Wait, she's going to kill Brienne?!!

I don't really think MM is doing any of these things (Megans dead or the spy), but this whole season has had a strange dream-like quality to it, that makes it seem like something is different "reality-wise".  It's in the scripts, and the editing, and the acting, and the sound design… I definitely noticed it from the

This actually sounds just like a Michael plan. He loves to use big events to tie up all his loose ends simultaneously with a series of murders.

I've always found the most quotable line is:
"And there's BEER, in the fridge."

When the world you live in is really that cutthroat and might makes right based, trust, love and honor will definitely get you killed.

Because Tywin is smart and without morals.

It was totally THAT bad.  I honestly feel disgusted with AMC for bringing it back. 

Cypher is waaaay cooler than Storm.

Im on the side that really likes the new season, but I have to say I don't really "get" the showstealer pro gag myself.  What is the gag?  That they couldn't afford the rights so they used a free download for the original series?  I guess I get it (sort of), but I don't think it's funny.  And why wasn't it on all the

There are roads in the subdivision, just no road to the subdivision.  Presumably they drive in over the desert.

Im actually watching this now on Netflix.  Its surprising how much they did, and how basically faithful it is to that era of Xmen.  Im liking it a lot better than I thought I would, even though the dialog and animation and a lot of the voice acting is truly terrible.  The funniest thing is in the early episodes, the

You should stick out the British Spy Plot, (Spoiler) which isn't actually a British Spy Plot.

You might be the first to find out how the new season feels as part of a direct run through the whole thing, with no pause at all between the old and the new. 

It's interesting.  I think, because they went so long and ultimately humanized Michael Scott, he had to grow tp a happy ending, and Im sure if/when he comes back his life will still reflect that.  I think, because of that, they're trying to push Andy in the David Brent direction, who gets a similarly pathetic ending. 

He's in Ghost.  That's how the skinchanger lived, by jumping bodies.  Jon's in Ghost and somehow Melisandre's going to get him back out.

He's going to get famous for the meltdown.  As soon as that happened I was sure that's where they were going.  He's going to get fame and be happy and cocky about it, but he's going to be famous for being pathetic and everyone will pity him.

In the book wasn't it Danny's arm he had broken?  That's how I remember it.  That was the problems inside the marriage, but they had kept that to themselves.  There was a different incident with a student that lost him his job.