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The Real Rod Hull
avclub-a038fed8fa11c066c93d1845e9eaa7dc--disqus

I had exactly the opposite reaction: enjoyed the movie, then after reading the book saw what the Holywood horseshit-machine had mangled to make it more 'human' and 'dramatic'. Example: in the film, Depp is deeply conflicted and wants to help Lefty to escape, seeing him as a surrogate father figure; he also starts to

Granted, Kevin Smith's way of life has given him the bigger tits than Beyonce.

…And THAT'S how it's done folks!

Richie Alpert and the Orchid S:

Since you did mention Louie, it must be said that the promo for the first season - "Louis CK's Last Chance" with Bobby Cannavale - was pretty damn flawless.

She's been party to several Goonies reunion features over the years - including the DVD commentary track (single best commentary ever!) - with the most recent to my knowledge being the Empire Magazine/Spielberg-as-Guest-Editor thing:

Is that the one that won Tom Hanks the Oscar?

Is that the one that won Tom Hanks the Oscar?

The scene that made me stop watching Dexter altogether* came in the finale of Season Five, when Dexter is talking to Ghost Dad sat in the passenger seat of the car he had stolen. He looks over at Harry, taking his eyes off the road and so crashing into an abandoned earth-mover or some crap: thus conveniently giving

The scene that made me stop watching Dexter altogether* came in the finale of Season Five, when Dexter is talking to Ghost Dad sat in the passenger seat of the car he had stolen. He looks over at Harry, taking his eyes off the road and so crashing into an abandoned earth-mover or some crap: thus conveniently giving

Gilliam was George Martin - tying everything up, patching over the rough parts/dead ends, giving giving an overall style and cohesion to the proceedings.

Gilliam was George Martin - tying everything up, patching over the rough parts/dead ends, giving giving an overall style and cohesion to the proceedings.

"When I visited The Smithsonian, for example, I stormed around for over an hour yelling, “Where’s the Nathan Rabin exhibit? Where’s the wing just devoted to me! After all, I’ve arguably done stuff, maybe. Where’s the elaborate golden shrine to me, me, me?” "

"When I visited The Smithsonian, for example, I stormed around for over an hour yelling, “Where’s the Nathan Rabin exhibit? Where’s the wing just devoted to me! After all, I’ve arguably done stuff, maybe. Where’s the elaborate golden shrine to me, me, me?” "

Pileggi.

Pileggi.

"Wow, you went colonial on his ass!"

"Wow, you went colonial on his ass!"

NO COLESLAW!!!

NO COLESLAW!!!