It smells like all the B.O. It smells like B.O. in a New Delhi whorehouse.
It smells like all the B.O. It smells like B.O. in a New Delhi whorehouse.
Do you know how much alcohol it takes to entertain you monkeys?! Monday's going to be late. It HAS TO BE. This is a process.
It's Joel McHale. Because I looked at iMDb.
Despite the fact that Southland Tales is an incoherent mess, Scott managed to impress me in it. I enjoyed him in The Rundown, but it was odd/cool to see how he ended up surpassing The Rock in between the time he did The Rundown and then Southland Tales. I saw the tail end of The Promotion as well. Guy's got talent.…
I will entirely accept the lens flares criticism. Man, that motherfucker LOVES his lens flare.
What's wrong with fun?
I was told by my colleagues in the web series industry that web would "take over" television in 5 years.
With it being unrated, it's easier to send those opt-out notices home going, "listen, this is about bullying. If you want your child to learn about it, do nothing. If you want them away from it, sign it. It has bad language, but it's by kids, etc. etc."
Well, Battle Royale seems to go into the psychology of the players, whereas Hunger Games wants to go into the politics of the world where the players exist. BR practically ignores the underlying suggestion that if these games exist, then how fucked up is the outside world?
Yeah, because throwing a bunch of people together in a small area in the hopes that they kill each other has NEVER been done before.
Except what Whedon wants to get into will never fit the mold for network. Why does he doggedly keep to fighting and pitching his shows for that? Why did Dollhouse have to go to Fox when he could've easily made the pitch to FX, gotten it, and probably would've gotten four seasons?
It seemed that the recurring theme within this episode was, to use an episode title of Deadwood, "Tell Them Something Pretty." Sometimes it was truthful, often it wasn't. All throughout the episode Raylan was struggling with telling the court what he really wanted. In the end, he decided "eh, fuck it." Just as he did…
Duffy has been an incredible foil to Quarles this season, and establishes that, despite the fact that he's a mafioso who is brutal in his dealings, he also has a knowledge of the territory. Even though he's not a Kentucky guy, he was still Dixie Mafia, and those guys at least understood how the game was played.
It all connects to my basic theory: Joss Whedon is simply JJ Abrams who doesn't know how or refuses to deal with network execs.
That said, I do think it's silly for those complaining about the Mad Men ads when it's quite obvious that they're pulling directly from their own title sequence which has been in play since the beginning of the series.
Truth-Fact: DMX has been in a hotel in Universal Studios the last few days. I have been told by my roommate that he spends his time yelling at white people.
Tim > Rachel.
Even in the Dawn of the Dead remake, people who were assholes to one another managed to figure their shit out for survival's sake.
Well, given that Rick wants a night to think over Randall, I'd imagine for something as much of a game changer as this, he might want to think it over a few years.
TWD: "We don't give a shit 'bout no subtlety!"