As one of the few Cleveland-area AV Clubbers…
I can say this is probably the most black people that have ever appeared at South Park Mall. This may be shocking, since there don't appear to be many black people in the video. Trust me on this, though.

No mention of the great post-credits narration from Ed?
That's probably one of the top two "on the next…" segments the show's ever had. It's nonsense narration, but the words still seem kind of poignant over the scenes from Jupiter Jazz.

His show's kind of calcified in the last few years. (I'm including the TBS show, Tonight Show, and the last year of Late Night in this analysis.) Sometimes, it seems like he's putting the least amount of effort possible into producing bits. Other times, he just repeats the same bit a few nights in a row. It's been a…

Are you doubting that people won't watch an episode of The Office of Family Guy they've seen 600 times before? How dare you, sir!

I find The Daily Show easier to record, because that show often gets me too angry at the world before I try to fall asleep. Conan's often just a good funny nightcap to take my focus off the problems of the world.

I think the Director's Cut is the "best" version of the movie. The primary difference is the lack of annoying voice over, included because the studio thought audiences wouldn't *get* the movie. It's a terrible job of narration done by an obviously apathetic Harrison Ford.

A "disappointment" financially. I was merely thinking about how Borat was everywhere that year, in Halloween costumes and catchphrases and award shows and the like. Bruno came and went with a whimper.

Bruno
Wouldn't Bruno be a bigger flop that this? When Ali G Indahouse was released, Cohen was practically unknown in the U.S. When Bruno was released, Cohen had just come off a surprise megahit that exploded via critical praise and word-of-mouth. Cohen was being cast in other, non-dressing up and asking stupid…

But it was mentioned by Lawler on commentary about how fans in the front row pay to see the action, then the match moves out of their field of vision. But I guess that's the standard "falls-count-anywhere" shitck.

To knock out some of your possibilities, Koupate, is the fact that Gus doesn't really do business at LPH. Walt's the only one appears on a regular basis, and he's a regular non-gangbanger looking dude.

To paraphrase something Jesse said earlier, Walt cooks poison taken by people who don't care what goes into their bodies.

Perhaps I'm just seeing things that aren't there, but Hank may eventually realize something is wrong in the House of Walt. Between the "WW" on Gale's notebook, the sudden influx of money, and Walt's casual jealous dismissal of Hank's suspect, Hank may start to put some of these pieces together.

Perhaps I'm just seeing things that aren't there, but Hank may eventually realize something is wrong in the House of Walt. Between the "WW" on Gale's notebook, the sudden influx of money, and Walt's casual jealous dismissal of Hank's suspect, Hank may start to put some of these pieces together.

Wait, Disney decided that the guy who directed NIN's "Closer" should do a family-friendly big budget Cinderella?

The best (recent) Coast to Coast broadcast I heard was about how a zombie outbreak would affect the global economy. The facts that zombies exist and would run rampant were treated as fact. It was "how will the governments react" that was all speculation.

That's "b for buggalo," the cow-patterned giant beetles that the Wongs heard.

I also watched the edited for TV version of Pulp Fiction this weekend: "You one crazy little-sucka…"

Yeah, that's what I thought. To my recollection, the paywall only lasted a few months at most. Hopefully the Onion can find a way to please both its customers and its bottom line.

I think the last line of the sub is Faye saying something like "Hey…you're a little girl!" and Ed giggling in response.

Comic relief all the way. I haven't rewatched these episodes in a while (yet I'm still commenting on them), but I never found Ed to be annoying.