“Nevermind” is the name of Street’s Nirvana album that he’s looking for (which, okay, of course he listens to Nirvana), and sometimes these episodes don’t have a ton of meaning attached to their titles. But “Nevermind” does seem to be about sudden switchbacks and second-guessing—a reassessment, given more information.

Right, I forgot about that. He was excellent there, and it was an amazing film all around.

I love that whole plot; Landry's willing to call Tim out and help him with the work, but he sure as hell isn't going to do it for him. Not only is the pairing hilarious—Tim going to see Crucifictorious and realizing there's a whole other set to listen to, for example—but Landry also legitimately helps him grow as a…

He played yet another cop/government official with little screen time in Wolf of Wall Street, and was still largely responsible for the best scene in the movie. That's how good he is.

I'm really bummed out about the direction Zach Gilford's career has gone since FNL. I recently watched "The Son", and man, that performance itself should've had him anchoring his own shows/films by now, not doing "The Mob Doctor" and "The Purge".

If you should choose to give an unfair advantage to either team, please make it Chicago.

"Christopher Columbus was a murderer, and they want me to draw a picture of him smiling."

Then, Maisie Williams will come riding in, and Jane and Sally will join Arya on her quest for revenge.

Yeah, Parker's excellent, and it looks as if she'll get even more to do as the season progresses. Louie's relationship with his daughters is one of the best aspects of the show: it's not without its difficulties, as we saw last week with the subway incident and this week with the school rant—which is very similar in…

"I worry about a lot of things, but I don't worry about you."

That entire climactic sequence with Helena and the sniper rifle, Rachel and Paul doing some climaxing of their own, and Sarah talking Helena down is Orphan Black at its best; what a follow up to last week's final scene. The direction there is excellent, the situation is incredibly intense, and the acting is, as…

Oh, Shaw and Root, how I love you both. The best character work done this season was probably for the both of them, considering how far they've come from who they were early on. There's this undercurrent of genuine, human connection we're seeing here that doesn't seem the least bit contrived, and it's nice how the…

Yeah, that was some pretty brutal stuff with Collier, especially considering we hadn't had much development for him prior to last week's episode. All this time, he believed he was in control (speaking of, I like the Collier-Control interactions in the finale), but he's dispatched just like that. His trial isn't…

You guys might've missed it, but Bear's photo showed up as well. He shifted from carrying a gun in his mouth to bring to Reese, to carrying three guns in his mouth and mowing down a row of baddies. We're in for some exciting stuff with Bear next year.

I'm so sad about that library.

RIP, Hersh. That was some badass, Terminator-esque shit at the end before you went out with a literal bang. I'm a bit disappointed we won't get to see him next year (allegedly), but McGiver did a really nice job in these final few episodes.

"The question is: what, my dear Samaritan, are your commands for us?"

I was watching the DVDs, and they used one in season 2 or 3, I think. I don't know if they bleeped it out when it aired live, though.

Monologue. The other one was bleeped.

Oh, and speaking of swearing, I was surprised to hear that uncensored "fuck" on basic cable.