avclub-98a10f3dcccaf67e3a2ef9b9f9f617f3--disqus
JohnnyGo
avclub-98a10f3dcccaf67e3a2ef9b9f9f617f3--disqus

"The choice of this particular Batman adaptation is interesting, given that Batman #1 also features more historically significant stories such as Batman’s origin, Catwoman’s first appearance, and a Joker tale that reads like an early version of The Dark Knight."

"… several crummy show tunes…"

It's been a while since I've seen this, but my main recollection is that it's a generally excellent film that suffers from an overbearing soundtrack that all too often undermined the suspense.

Great review, but with one major nitpick: "The Obsolete Man" is already perfect. 

Don't forget "Exorcist III," where he was an undead serial killer with mind-hopping powers!

A Møøse once bit my sister …

Better than DS9's "It's Only A Paper Moon"?

When it comes to possible A+ episodes, "Intersections in Real Time" has always been one of the standouts to me. I find that interrogation and character interplay so much more powerful and haunting than "Comes the Inquisitor," the twist of which is, frankly, delightfully silly. "Intersections" is a lean, tight,

As I recall, the film didn't explicitly say they were demons. It's entirely possible that the Dad was only able to "see" the crimes perpetrated by these people, and because he was twisted by religious zealotry, he saw them as demons. The cop at the end didn't act like, "Bah, you discovered my true demonic identity!"

Fucking THANK you! This review completely missed the point!

I'm kinda surprised that no one's mentioned the inexplicable Frankie Goes to Hollywood musical number in the middle of Brian DePalma's "Body Double." It starts with the singer doing his best Joel Grey in "Cabaret" impression, turns into a sex scene with Melanie Griffith, and ends with Rob Paulsen asking where the