I would love it if turns out he's not gay, just slightly effeminate.

Walton is definitely in my list of men that make me slide way up the Kinsey Scale.

Like Walton said Perfect Couples had an amazing ensemble, which apparently numbered too many showkillers for it to live (yeah, that was definitely the reason, and not, y'know, NBC).
I've had a hard time finding any of the episodes, both in legal and illegal fashion, so I'd like to know where this "life online" Walton…

I'm dreading the other shoe dropping on the Ian storyline. I didn't watch the previews for next week, so I don't know if it's coming sooner rather than later, but I'm not sure if I can take any more of those scenes with Cameron Monaghan acting varying shades of in denial, oblivious or royally effed up. It's pretty…

I probably only know this because I'm from one of the countries where winter sports are a big deal in the four years between the Olympics: The pictures from the events are not produced by NBC (or any of the other national rights holders), but the Olympic Broadcasting Service, a organ within the IOC.

I really like Episodes, and am continually surprised by how much. I usually don't move this far from the critical consensus on a show, but I enjoy watching this one quite a bit. Mind, I haven't really heard any of my preferred purveyors of TV criticism talk about the show since it premiered, other than Sepinwall and…

Someone needs to make that surely inevitable movie where White plays a young version of a character played by Dustin Hoffman already.

Why is Bono a wanker?

Just a minute, I need to go and buy some more upvotes, because one isn't enough.

Does anyone here still watch Two Broke Girls? Because I just spent forty minutes just about constantly tearing up at the other two CBS Monday night comedies, and wondered if the theme of things that would make an (admittedly quite emotional) grown man cry carried into the third one.

Regarding what you say about the music: that's what hiring T-Bone Burnett gets you. The cues you refer to are pretty great examples of there being much more to him than the soundtrack work he's most commonly associated with (not that there's anything wrong with those, mind).

You're dead on about #1 there; that walk back to the pick-up, his back to the camera, was somehow the most heartbreaking bit of acting McConaughey has done on the show so far. I'm flabbergasted by the physicality of that role in general, but that bit in particular hit home something crazy for me.

Cheers!

Source?

Is there a word for knowing something is a reference to something, but not being able to recall the referenced something? Because that happened to me right there.

Marty's Rust-related exasperations took a permanent place on my list of favourite things somewhere around the second viewing of the first episode.

I'd like to direct one of the commenters who've showed an aptitude for Rust-like rants over here to do one on the futility of giving more than a cursory care about the letter grades on TV Club reviews.

I feel like it doesn't matter whether they go supernatural or not (they won't), because the mere fact that they're able to suggest things like that gives the show a liminal feel that's unlike anything I've ever felt.

Loved the slightly distracted hand shakes with the parishioners coming up to him post-preach while he was walking and talking with Rust and Marty.

Made all the better/more horrifying by calling so little attention to itself, adding to the otherworldly, did-I-just-see-that feel of it.
I've been watching some John Woo movies the last few days, so I've been reintroduced to the baffling charms of scene-ending freeze frames, and this was one for the ages. Love that…